Michael Griffiths

An anthology series of television plays which aired on BBC1 from October 1964 to May 1970. The plays were usually written for television, although adaptations from other sources also featured.

The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.

How Green Was My Valley is a six-part television miniseries adapted by Elaine Morgan, based on Richard Llewellyn's eponymous 1939 novel. The serial is produced by the BBC and 20th Century Fox Television for BBC Two—the latter's involvement is due to their ownership of the rights to the novel and its subsequent Oscar-winning 1941 film. Huw Morgan, the academically inclined youngest son in a proud family of Welsh coal miners, witnesses the tumultuous events of his young life during a period of rapid social change. At the dawn of the 20th-century, a miners' strike divides the Morgans: the sons demand improvements, and the father doesn't want to rock the boat.

Based on the diaries of the naval adiminister Samuel Pepys, it portrays life at the court of Charles II during the 1660s.

Dramatised stories of the founders of modern medicine. Until the 1840s, medicine had remained basically unchanged since the days of the ancient Greece. In the 60 years following it was transformed into a modern science.

During World War II in the South Pacific love is found between a young nurse, Nellie Forbush and an older French plantation owner, Emile de Becque. The war is tearing them apart.

A writer having difficulty completing his second novel goes on a journey of self-discovery.

Olwen lives in a tumbledown farm up in the mountains - a lonely widow, virtually a recluse. Her only human contact is with the occasional shopkeeper and young Rachel, who delivers her papers. For Rachel, her visits to Olwen are half adventure, half honest friendship. But they also mean a time to 'put aside childish things.'

The weekly brass band rehearsal is an enjoyable, light-hearted occasion. Then Mathew, the conductor, introduces James, a newcomer to the village, who is an enthusiastic bandsman from the north, where they do these things properly.