Miguel Partidário

The first time you hear it, it doesn't seem like a big deal. The word is strange and the tone in which it was used could be offensive. In the village the word soon spreads and as it passes from mouth to mouth it becomes heavier and takes on a markedly offensive character. As the village gets angrier, all the small misunderstandings in everyday life become serious business. There is only one solution: exposing the cases and their origin - the word barely heard and poorly said - which, today, in the village, is the most devastating offense that can be thrown at our greatest enemy.

João is a writer who one day wakes up suffering from a bout of selective amnesia: he can't remember that he's gay. So he decides to reject his partner of five years and he plunges into a new, unexpectedly hetero life. But, as the saying goes, it never rains but it pours: João also has a creative block, and is incapable of finishing his latest novel. Isabel, his rival in the literary world, is suffering from a similar case of writer's block. After a night spent together, Isabel steals João's novel and tries to publish it as her own.

Inspired by Bernardo Santareno's “The Lugger” and “In the Seas of the End of the World”, this is the story of a captain of a codfish lugger, fishing in the banks of the Newfoundland who decide to risk sailing to Greenland in search of more fish. Along the way, he has to face storms, crew revolt and deal with the best and the worst of humanity when tested in extreme circumstances.

Seven competing reporters are assigned to cover the Carnavael de Torres Vedras in Lisbon. Each of the seven tries to attract as much audience as possible to their broadcast. The situation escalates at a masked ball.

A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?

A love as large as the world itself... Pedro has just returned to the city where he was born and spent most of his life, but mysteriously disappeared without a trace for 20 years. The reasons for his disappearance have always been cause for speculation, as he was something of a celebrity in the city. Despite always denying any direct responsibility, he was known for performing miracles on people's lives by having them look at themselves from a different perspective. In fact, Pedro has the gift of being able to foresee the future. But his visions can be, at the same time, a blessing and a trap. When he was young, he saw his girlfriend Carmen dressed as a bride laying in a coffin and wearing an engagement ring that he assumed was his. It was as if fate was warning him... Pedro ends up getting involved with Manuela and have a daughter with her named Sofia. Still, he goes through a rough period and receives a serious death threat that makes him leave everything behind.

A dramatic comedy told from the point of view of high school students, and their parents and teachers, about one of the most striking moments of Portuguese democracy: the presidential elections and the dispute between Freitas do Amaral and Mário Soares.