Betina Viany

A traffic accident causes four women's destinies to intertwine. In the series, the four enter a pact of revenge against the men who hit them and caused them to suffer. Auxiliadora struggled to help her husband Alcebíades prosper, but when he leaves her for a younger woman, is thrown out of the house. The shy Tatiana was engaged to Fortunato, who failed to show up at their wedding. The Babalu hurricane caught mechanic Raí in bed with another woman. Abigail, a preppy psychologist who is struggling in a failing marriage, decides superficially to continue it but revolts against her husband, Gustavo, who humiliates her in public at a congress. Gustavo has custody of Ângela, a girl who longs to know her true father, Bruno. Her mother died in the childbirth, traumatizing him.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

The encounter between a young nanny and a lonely child serves as the starting point for a show about affection, companionship, human relationships, and the diverse forms of motherhood.

Jocasta, an 18-year-old sociology student and daughter of communist activist Túlio Silveira, is actively involved in the country's political landscape. She is in love with Laio—her polar opposite—a disengaged, esoteric young man who lives off his wealthy father's allowance. A mystic, Laio makes no move without consulting his guru and friend Argemiro, whom he turns to upon learning of Jocasta's pregnancy. The cowrie shell reading reveals that his son is destined to kill him and enter into a romantic relationship with his mother. Terrified, Laio disappears with the child immediately after birth, aided by Argemiro—who loves Laio and loathes Jocasta. Twenty-five years later, Jocasta is a successful yet restless woman searching for her missing son. She is estranged from Laio, who has spent recent years expanding his father's fortune through involvement in underground gambling. On a highway, he encounters Oedipus, unaware that the young man is his son.

Mário Fofoca, a bungling detective, moves to Rio and, with the help of a friend, investigates cases—starting with a wife's suspected infidelity.

At a turbulent time in her life and career, an overwhelmed writer seeking relief returns to drinking after 15 years of sobriety, but goes from a simple glass of wine to total loss of control.

Two factory workers decide to spend all of their pay on a Saturday night with two prostitutes, but things don't go as planned.

Saul and Mônica return to São Paulo after three years and find his family's colonial mansion abandoned, inhabited only by his old nanny, Bá, and his brother, Domício.

A volatile young man, Edu is a typical Rio de Janeiro middle-class kind, who flirts with multiple women at the same time. None of them, however, had managed to make him fall in love, until he met with mysterious Tatiana.

Earning her living by dubbing American TV Series, a woman dreams of becoming an international Hollywood star.

Selminha is back! Now wealthy and willing to pay generously for all her needs and desires. The problem is that a poor person’s happiness is brief: a namesake heir appears claiming that she is the legitimate inheritor and Selminha’s assets are frozen. Her only source of income becomes a minimum wage salary of R$30 per day. However, Selminha has already forgotten how to live the hardships of poverty. And worst, she is the patron of the Quintino community, and with her financial difficulties, the community also feels the squeeze.

Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.

When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.

An overlook at the southern Rio de Janeiro neighborhoods, from the perspective of one of its most well-known places: Jardim de Alah, a group of squares on the middle of neighborhoods Ipanema and Leblon. There, people of different social classes interact together - workers who live in the Cruzada de São Sebastião building and the local bourgeois class who live in fancy condos. There, the rich and the poor unite in the same spirit.

Loosely based on an Oswald de Andrade screenplay, "Perigo Negro" is a segment of anthology film "Oswaldianas" which deals with a uprising soccer player who has his career spoiled by a unscrupulous gambler