Ivan Turchenkov

An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.

Living together in a workers' dorm, Katerina and her friends are determined to make it in Moscow. But when a boorish cameraman forces himself on her, Katerina finds herself pregnant and alone as her friends move on. Twenty years later, Katerina is a factory director, outpacing her old roommates career-wise, yet still alone but for her daughter. Love seems possible again when she meets a genial mechanic.

In 1805 St. Petersburg, Pierre Bezukhov, illegitimate son of a rich nobleman, is introduced to high society. His friend, Prince Andrei Bolkonsky, joins the Imperial Russian Army as aide-de-camp of General Mikhail Kutuzov in the War of the Third Coalition against General Napoleon Bonaparte. Part one of the four-part adaptation of Leo Tolstoy's 1869 novel.

The film consists of three independent parts: "Workmate", "Déjà vu" and "Operation Y". The plot follows the adventures of Shurik, the naive and nerdy Soviet student who often gets into ludicrous situations but always finds a way out very neatly.

The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

Danka's and Ksanka's childhood in the village brutally ends when their father is killed by a White Guard officer in front of their eyes. Seeking revenge, they join forces with Valerka, an intellectual from big city, and the gipsy Yashka, but before they can get close to their enemy they have to help their village and the advancing Red Army.

Kindergarten teacher Evgeniy Ivanovich Troshkin is reluctantly sent undercover to take the place of an imprisoned thief who stole Alexander the Great's helmet. Evgeniy uses his striking resemblance to the thief to infiltrate his gang and learn the location of the stolen artifact. He finds the gangsters are unexpectedly similar to his students- they also need love and care.

In 1812, as Napoleon's army invades Russia, Kutuzov asks Bolkonsky to join him as a staff officer, yet the prince requests a command in the field. Pierre sets out to watch the armies' impending confrontation. As the Battle of Borodino rages, he volunteers to assist in an artillery battery. Part three of the four-part adaptation of Leo Tolstoy's 1869 novel.

As Moscow is set ablaze by the retreating Russians, the Rostovs flee their estate, taking wounded soldiers with them, and unbeknownst to them, also Andrei. Pierre, dressed as a peasant, tries to assassinate Napoleon but is taken prisoner. As the French are forced to retreat, he's marched for months with the Grande Armée, until being freed by a raiding party. Part four of the four-part adaptation of Leo Tolstoy's 1869 novel.

A thief named Egor, having served a term in prison, goes to the country to meet his pen-friend Lyuba, a kind genial village woman. Egor comes to love Lyuba sincerely. Now he has friends, work and a beloved woman, he decides to break with his criminal past and start a new life. However, his former criminal associates interfere brutally.

The story follows Maria Konovalova who travels from her rural village to visit her daughter Nina in the city. Maria's arrival exposes the stark contrasts between rural and urban lifestyles and reveals deep-seated family tensions. Interestingly, Родня (Rodnya) in Russian sounds very similar to the word Родина (Rodina), which means "Motherland." The film features three generations of women — Maria, her daughter Nina, and her granddaughter Irina — symbolizing three different Russias: one from the past, one modern, and one representing the future.

A former aristocrat Ippolit Vorobyaninov leads a miserable life in Soviet Russia. His mother-in-law reveals a secret to him - she hid family diamonds in one of the twelve chairs they once had. Vorobyaninov in cooperation with a young con artist Ostap Bender start a long search for the diamonds.

A comedy based on a classic play 'Revizor' by Nikolai Gogol.

A tale based on a classic novel by Alexander Pushkin.

Lara Velichko is a young coach who's dreaming about coaching world champions but suddenly she's forced to train a group of a very grumpy old men.

Boyars are trying to marry their tsar in a country of far far away.

A first part of story about a Soviet spies trying to infiltrate German Intelligence center "Saturn" during and after the WWII.

Drama set in a strict seminary where a new teacher attempts to abolish corporal punishment.

The plot is based on the construction of a highway bridge across the Volga River in Saratov. A Moscow correspondent comes to this construction site.

The film includes three short stories based on the stories of Mikhail Zoshchenko: "Crime and Punishment", "Fun Adventure", and "Wedding Event" about the negative phenomena of the provincial life of the young country of the Soviets: stupidity, drunkenness, money-grubbing, lack of spirituality.

The movie takes place in the first post-war winter in the Ussuri taiga, one of the protected areas of the Far East, where there are still tigers. Young biologist Vasily Belov attracts local residents to his side and defeats poachers.

Two young directors adapted the short stories of two Russian authors whose works had been banned for decades, and so their film ended up in the censor’s vault as well – for twenty years. Both tales look back to the post-revolutionary era: 'Angel' (Olesha) speaks tragically of the brutality and destruction of the time, and 'The Homeland of Electricity' (Platonov) captures its haunting grotesquery.

Former fighter pilot turned provincial schoolmistress Nadezhda Petrovna struggles to adapt to peacetime, having internalised military ideals of service and obedience.

An exploration of “virgin soil” in Kazakhstan through the stories of a party worker, a agronomist, and the director of a state farm.

The children's humorous film magazine "Yeralash" is a one-of-a-kind work of cinematography that ironically approaches the solution of everyday problems, focusing on the views and needs of modern society, allowing different generations to achieve mutual understanding.