Sophie Barjac

Visitors young and old get up to fun antics and romance at a seaside hotel in Brittany, France.

A cop investigates whether the man convicted of murdering his daughter is really guilty.

Thomas is a stage director. One evening he meets Alix and they fall in love at first sight. It's total, absolute. But Alix's life catches up with them. During the course of the performance of the play, they'll pretend that nothing has happened.

A very faithful Jewish man works making diamond dust in his family's workshop, to sell to industries. One day he goes on businnes trip. In the same train goes a very sexy girl, with some heroin bags (you guess it) very similar to the diamond bags. The police begins to chase the girl, and she hides the drug into the Levy's bag. The girl calls his boss ('Goliath') the situation and he and his band begins to hound Levy, who, by this time, selled the bags to a factory, not knowing the content. He has to get out of the problem with the help of his brother and his God.

When their little cheat fails, Alain and Jean-Pierre fail their final high-school exams in English. Their parents deny them the planned vacation to the Côte d’Azur and send them instead to Ramscale in England, to improve their English. However, many other parents had the same idea, so they meet more of their own than English folks and end up more at beach parties than in class. Only with the girls do they seem to have no luck, although they desperately try...

This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.

A lawyer hires a call girl after learning his wife has invited her lover to move in; the husband and wife separate and the two new couples live side-by-side without issue - until an ex-boyfriend shows up and things start to go wrong.

In this drama, an American art student is trapped amidst the political turmoil of war-torn Europe while visiting Paris and staying at the fabulous Ritz hotel. Rather than cope constructively with it all, the fellow opts to ignore it and continue living the high-life for as long as possible.

Paul is a playboy: a former girlfriend asks him to marry Zosia, a Polish girl, opponent of the regime of her country (it's 1981,December would see the state of siege in Poland and the arrest of many opponents) Paul hesitates but they told him so: it will be an unconsummated marriage and they will divorce shortly after. Against all odds, Paul, who is a happy-go-lucky guy, who does not care about politics,flies to Warsaw: Zosia is a gorgeous blonde, and during their honeymoon, he falls in love with her. But it's not that easy; back in Paris, Zosia is still a political activist whose friends look upon Paul as an intruder.

In the early 1950s, in a seaside town, Isabelle, a girl in her late teens,is about to spend an apparently eventless summer between her mother, her friends and a small job for a photographer whose business is lagging. But Isabelle is not the mentally balanced young lady she seems to be. In fact she is doubly traumatized, firstly by the rape she suffered eight years before from a Nazi officer and secondly by the suicide of her father shortly after. What she wants deep inside herself is to find a man, young or less young, who will bring her tenderness and happiness. Will Luc, a young German, or Monsieur Vaudois, her married boss, give her what she lacks ?

When Marina crosses the door of the police station, it's because she has finally found the courage to file a complaint against her ex-partner for rape.

The highs and lows of different pairs show that in the end only one thing counts: love.

1968. Catherine, Yves and Hervé are twenty years old. They're students in Paris and they love each other. The May student uprisings radically change their lives. Overtaken by communal utopia, they leave the city with a few friends to set up house in an abandoned farm in the Lot region. A desire for freedom and the search for individual fulfillment lead them to make choices that cause them to separate.

Alice was sitting in the park one day. She sees a jogger called Rabbit. When she first meets him she thinks he's a jerk later she finds him nice and relaxing. She falls in love with him. He takes her to Queenie's party. Rabbit later finds out that Queenie wants to kill him. So Rabbit packs up to leave the country. When Alice finds this out she commits suicide which brings her into a fantasy world.

Robert Ferry, a PTT employee, is having problems with his two sons. The elder has impregnated his girlfriend, a young hippie, and the younger, Daniel, is said to have homosexual tendencies. Determined to put his son back on the straight and narrow, Robert decides to go against his principles and force a young girl on him...

In Saint-Rupert, Basse Lozère, the son of a family of garbage collectors, Pissenlit, who has played the mentally deficient since childhood so as not to be forced to go to school, is in fact a prodigy in mathematics: by reading a book found in a trash can, he revolutionizes a mathematical theory. Meanwhile, his father is making a computer from objects recovered from garbage cans, and capable of composing musical "hits" that may make him a star.

The Vergèse family is very fortunate : all their descendants have married some well-off people ! But oddly, they leave many bodies in their trail. Flore is their only penniless daughter-in-law, and the young woman feels in danger… Is it possible that the wealth of the Vergèse might be drenched in blood ?

Bastien is on the verge of achieving the life he's always dreamed of. But everything threatens to vanish the day his ex-wife becomes involved with mobsters and interferes in his life. He suddenly finds himself embroiled in unorthodox affairs and hunted by mafiosi. In the freezer, the corpses are piling up.

A talk show presented by Michel Drucker

Candice Renoir had put her career on standby for 10 years. When she returns from Singapore to resume service in a port town in the south of France, she feels a bit “rusty”. Despite the obvious defiance of her unit and a cynical superior who doesn’t make her job any easier, she is determined to turn her so-called weaknesses into strengths, solving the most complex cases with her common sense, her acute observation and her practical nature seasoned by a busy daily routine. Only Candice can catch a killer because she knows the chemical composition of a window-cleaning product or determine the hour of a murder from the cooking-time of kebabs… Candice is only naive on the outside, and nobody can resist her!

The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.

On n'est pas couché was a French talk show broadcast on France 2 on Saturdays at 11 p.m., hosted by Laurent Ruquier assisted by various columnists.

Bordertown is a television western-drama series that aired from 1989 to 1991. It depicts the town formerly known as Pemmican that was later renamed Bordertown when the western border between the United States and Canada was surveyed in 1880, dividing the town.

Clem follows the life of a young teenager, Clémentine, who becomes a mother at the age of sixteen, at the centre of tensions between her parents and Julien, the father of her child Valentin. It deals with the problems of teenage life and that of a mother with a strong personality.

The Return of Arsène Lupin (1989) is a French crime television series consisting of 12 episodes, each approximately 55 minutes long, broadcast on FR3 between November 1989 and January 1990. It features the famous gentleman thief created by Maurice Leblanc, played here by François Dunoyer, in a more mischievous and modern interpretation than his predecessors, which retains the hero's refinement and intelligence while immersing him in stories with international overtones, with a more contemporary tone for the late 1980s.

French miniseries based on the novels by Jeanne Bourin.