Doris Dörrie

Every evening at 6:45 p.m. sharp, a prominent guest takes a seat on the red sofa—and DAS! provides daily updates on what's hot in the north.

The Harald Schmidt Show is a German late night talk show hosted on Sky Deutschland by comedian Harald Schmidt. The show first aired from 5 December 1995 to 23 December 2003 on Sat.1. Schmidt then moved his show to Das Erste as Harald Schmidt and Schmidt & Pocher, but he returned to Sat.1 on 13 September 2011. After cancellation on Sat.1, the show continued on Sky Deutschland in September 2012.

TV presenter Markus Lanz invites prominent guests and experts from all areas of public life to his colourful talk show. As a rule, there are four guests, introduced individually to contribute their personal experiences to the topics.

The Dick Cavett Show has been the title of several talk shows hosted by Dick Cavett on various television networks.

A 30-minute weekly cultural magazine program. The head of aspekte, Wolgang Herles, describes the program as follows: "For 40 years, "aspekte" has repeatedly set out to enrich television with cultural contrasts. "aspekte" understands culture not as the sum of facts and events, but as the taste, the sound, the rhythms of the times. It has proven itself as a journal of true luxury and fashions as well as an instrument of public education and information."

Pepe is 15. His life in social misery changes completely when he is chosen as the main character of a film production. Shot on location where he lives with his primitive, brutal and authoritarian father, a pig farmer.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.

Documentary by Eckhart Schmidt.

Why does Doris Dörrie have a bag on her head in the interview? Consistent in the sense that in her works she always poses the question of how we want to be perceived. Dörrie takes us through the most important stages of her life, her films, her work as a mentor and teacher, and also addresses existential themes: Identity, motherhood, her role as a woman. And she talks openly about fears, setbacks and crises, such as the untimely death of her partner and cameraman Helge Weindler. "Shut up and breathe", the advice of a Tibetan lama, carries her through life - even beyond the screen.

What happens when famous directors stage an opera? Eckhart Schmidt shows successful and failed attempts.

After Sam, a penniless Afro-German singer, discovers he's HIV positive, he gets utterly drunk, spends a few miserable days, but promptly falls (back) in love. Amidst a crumbling former East Berlin (its bulidings, cars, people & culture), Sam develops a "family" for the new millenium, for the new generation of post-drug cocktail AIDS victims. The fragile "family" he forms includes his on-again-off-again boyfriend Rainer, and his best friend Bastl with his latest fling, Mike. Like the old, schmaltzy East German songs which Sam is recording, the sweet innocence of the characters struggle to prevail, the misfortunes of the characters nothwithstanding.

Berlin Film Fest 1984. The best place for every cinema fan. Everyone wants to be in on the festival, but that may be really difficult, if one has no accreditation. Also Journalist Matthies gets to know the rules of being in or out when he wants to see a screening and is not welcome. Thus he watches an old German silent flick which he is barely interested in. The next day the newspapers are full of reports about a newly discovered German masterpiece from the silent era. It seems that Matthies had luck. He just saw *the* film everybody is talking about now. Also everybody is speculating about its director, who remains unknown. When Matthies talks to Ackrewa, an old befriended projectionist, about the film, the latter seems to recall the name of the director. Matthies decides to research the case. An odyssey into film-history begins and if it is successful Matthies will come up with a top story.

Documentary filmmaker Troller criss-crosses post-reunified “Transgermania” for a year, probing German identity through festivals (Carnival, Oktoberfest), films, small towns and big cities. He attends a Black–Bavarian wedding at an “animal fair,” chats with chimney sweeps, students, artists and elites (from Grass to Müller), and asks uneasy questions about unity, memory and the future - all from his outsider’s lens.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

Documentary about the Maximilianstraße in Munich.

A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.

Documentary about Los Angeles.