Dieter Kosslick

Every evening at 6:45 p.m. sharp, a prominent guest takes a seat on the red sofa—and DAS! provides daily updates on what's hot in the north.

The Berliner Abendschau is the news magazine for Berlin.

Political talk show on current topics presented by Maybrit Illner.

A 30-minute weekly cultural magazine program. The head of aspekte, Wolgang Herles, describes the program as follows: "For 40 years, "aspekte" has repeatedly set out to enrich television with cultural contrasts. "aspekte" understands culture not as the sum of facts and events, but as the taste, the sound, the rhythms of the times. It has proven itself as a journal of true luxury and fashions as well as an instrument of public education and information."

Austrian farmer Franz Jägerstätter faces the threat of execution for refusing to fight for the Nazis during World War II.

An account of the life and work of legendary cinematographer and director Carlo Di Palma (1925-2004) and an emotional journey through the great moments of cinema, from Italian neorealism to the masterpieces of Woody Allen.

On the occasion of the last “Berlinale” under the direction of Dieter Kosslick in February 2019, the camera follows the festival director on his professional assignments and also takes part in the few moments of breathing deeply.

The history of Germany's oldest independent family-owned film studio, now run by Brauner's daughter, Dr. Alice Brauner. The film traces the life of Brauner, who was born in Poland, shaped by German history, survived the Holocaust as a Jew, and became the most important film producer of his time in the country of the perpetrators.

Australian geologist Graves meets Juliane in a Hamburg variety show. She mistakes Graves for a killer and lures him to gangster Tanzmann. When the mistake is discovered, they only have ten hours to find the real killer...

Martha lives in Hamburg with her young son and makes films with real passion. To stay close to the pulse of society, she has moved in with a Portuguese family. Teresa helps foreigners navigate bureaucracy, while Martha tries to build a romance with Alfred. Their shared everyday life reflects West German realities, captured spontaneously and with sarcastic wit.