Vakhob Abdullayev

From Tashkent to Bukhara go on excursion in the holidays of the pioneers, selected from the best, but for two pioneers Shahir and Vitka this trip is primarily an opportunity to find the treasures of the last Emir of Bukhara, who hid them when the troops of the Red Army approached the city, and the Emir realized that he could not hold Bukhara. In Bukhara our friends are already waiting for their accomplices, the same pioneers Anvar and Gulka, who have a map of the alleged place of the hidden treasures. Upon arriving in Bukhara, the four treasure hunters begin their search for the treasure, finding themselves in funny and absurd situations.

The story takes place in Turkestan in the year 1920. Along the narrow and deserted streets of nighttime Bukhara echoes the voice of a watchman: “All is calm in sacred Bukhara!” But how deceptive this calm is! Bukhara is gripped by intense struggle. The last Emir of Bukhara, nicknamed “the Black Consul” for the executions and the blood spilled at his command, is desperately trying to hold on to power.

A village man accidentally uncovers a web of political intrigue after discovering and distributing treasures from Hussain's secret hideout. The Khazi sets a gang of ruthless bandits on the man to ensure the safety of his treasures.Based on the story of Ali Baba and the Forty Thieves from the 1001 Nights or Arabian Tales.

A biopic of Nadira, outstanding Uzbek poetess and public leader of XIX century, mother of Kokand ruler.

The Cheka officers are conducting an operation to return the gold that the Basmachi plan to exchange for weapons.

In some kingdom was inhabited by seven Genie. Six are evil and one is good. Good Genie, despite the machinations of evil, helped the potter Nabi cheat khan to give water to irrigate the land of the poor.

Beautifully shot in black and white, and scripted by Tarkovsky's collaborator Andrei Konchalovsky, this powerful melodrama tells the story of a young boy who undertakes the perilous journey to Uzbekistan's capital Tashkent, to earn some money for his hungry family. Filming in the periphery of the Soviet Union, in a time of relative political relaxation, director Shukhrat Abbasov actually dared to depict the poverty and famine that resulted from the Bolshevik Revolution.

Set in the rural village of White Storks, the story tackles the taboo subject of an extramarital affair. Strong-willed Malika, married but childless, is openly consorting with another man with whom she shares a seemingly tender bond.