Michel Audiard

When Lise's car bumps Antoine's bike, they recognize each other from a brief fling 20 years before while at the Sorbonne. He's now a professor of Greek; she's loathe to tell him she's a police inspector. A call interrupts their first dinner date: a Deputy of the National Assembly has been murdered. She has a suspect, another Deputy, and must track him while deflecting Antoine's eye from her vocation. All roads in the inquiry lead to Christine Vallier, the dead Deputy's mistress, a beguiling 22-year-old whose mother ran the Assembly's snack bar. When more deputies die and Antoine learns Lise's identity, she must act quickly solve the crime and save her future.

Charismatic and resourceful, seducer and daredevil, Jean-Paul Belmondo has always played his roles as he lived, at a thousand miles an hour. He had only one passion: to entertain the public with his smile, his naturalness, his energy, his stunts. But contrary to appearances, his destiny was full of pitfalls. This film lifts the veil on a founding childhood that allowed him to overcome many obstacles throughout his life thanks to the tutelary figures of his father and mother. Told from the inside with the help of his autobiography, interviews and unpublished archives, this epic story traces the career of this turbulent young actor who launched the New Wave in Breathless before becoming the popular Bebel, an indestructible and provocative vigilante. From film to film, this documentary paints an intimate portrait of a man who built himself up to reach the top: his triumphs but also his trials, his doubts, his secrets, his angers, his clowning, his disappointments or his personal dramas.

A profile of Jean-Paul Belmondo by his peers. Besides appearing in over eighty films, the actor also delighted audiences with his dangerous stunts, his laughter, his jokes, and his refreshing ease and impertinence. Cultivating the art of the counterpunch, he spanned half a century of French cinema.

The fall of 2017 marked the 30th anniversary of Lino Ventura's death. Whether in the role of tough cops or tough guys - in the 1960s, Lino Ventura was one of the most popular French character actors. The new portrait begins with the actor's childhood. He came to Paris from Parma in Italy as a child with his single mother and faced many humiliations in a xenophobic environment. The documentary explores the man behind the rough exterior and the tough characters he embodied, most of whom were courageous but introverted loners.

A childhood in boarding school, volunteered at 17 for the war and dismissed for indiscipline, thug in Marseille turned gigolo in Paris, he became actor thanks to some inspired women. Then flying high, fast and far, thanks to his director masters René Clément, Luchino Visconti & Jean-Pierre Melville.

A documentary about writer Michel Audiard (1920-1985). Contemporary interviews are interwoven with archival footage and clips from his films. It offers a deeper understanding of the career of the man whom Jean Gabin swore by from the mid-1950s onward, and whom films such as "Les Tontons Flingueurs" immortalized.

This year, Michel Audiard would have turned 100. To celebrate the life and work of the French screenwriter and director, Gaumont opens their vault and reveals some unknown information on the legendary witty dialogues writer.

Rita is a girl that lives on taking gangsters as lovers. But when the money stops coming, she swears revenge.

Housemaid Georgette loves to gossip and this causes major trouble to people around her.

On August 28, 2017, Mireille Darc passed away at the age of 79. She was Audiard and Lautner's favorite actress, the sex symbol of the pop years, a photographer, a woman in love, and a documentary filmmaker. The artist was also the patron of La Chaîne de l'espoir, an association that helps disadvantaged children. Mireille Darc tells her story through a selection of her most intimate interviews. Her loved ones also talk about her: her husband, Pascal Desprez; Anthony Delon; Véronique de Villèle, her personal assistant and friend; writer Lionel Duroy; Professor Deloche; and photographers Richard Melloul and Francis Giacobetti, who made her their model...

In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

When Charles Le Braque learns that his boss' 17 years old daughter is pregnant, he fears that his 16 years old nice Joel from France, who's spending her vacation with them in Canada, might fall into the same trap. So he and his wife decide to give her the lecture of plants and bees... but it turns out that she's already well informed, gives them a lecture about simultaneous orgasms. She inspires the sexually repressed couple to start experimenting with "modern" forms of sex.

Victor, grocer and tyrannical boss, never stops telling his family about his seafaring past, although they never believe him. When his nephew wins a model-boat contest and is commissioned to build a full-scale boat, Victor tries to make his mark.

With his popular culture, prolific imagination, and verbal alchemy, Michel Audiard revolutionized cinema in the 1950s and 1960s. Alongside his mentor and friend Jean Gabin, his writing partner Albert Simonin, and his favorite actors Bernard Blier, Lino Ventura, and Michel Serrault, we find his verve and innate sense of repartee, which alone reflect the spirit of the French people and language. From elegance to cheekiness, cynicism to tenderness, he made words speak like no one else. Between the expressions he stole from bar counters to refine them and his encyclopedic knowledge of French culture, he created a unique style and ranks alongside Prévert and Jeanson as one of the greatest dialogue writers in French cinema.

Through film clips, news footage and reconstructions, this film traces the history of dueling

Feature-film director Michel Audiard tackles what he believes to be the mistakenly heroic status given to Charles De Gaulle. In this documentary film, he uses humor, among other things, to demythologize him.

A failed actress sinks into neurosis and mythomania. To give relief to her dismal existence, she engages in all kinds of activities ranging from false testimony to occasional prostitution.

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

A talk show presented by Michel Drucker

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.