Cory Pulman

The peacefulness of the Midsomer community is shattered by violent crimes, suspects are placed under suspicion, and it is up to a veteran DCI and his young sergeant to calmly and diligently eliminate the innocent and ruthlessly pursue the guilty.

The adventures of The Doctor, a time-traveling humanoid alien known as a Time Lord. He explores the universe in his TARDIS, a sentient time-traveling spaceship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, The Doctor faces a variety of foes while working to save civilizations, help ordinary people, and right many wrongs.

American Playhouse is an anthology television series periodically broadcast by Public Broadcasting Service in the United States.

Dempsey and Makepeace is a British television crime drama made by London Weekend Television for ITV, created and produced by Ranald Graham. The leading roles were played by Michael Brandon and Glynis Barber, who later married each other on 18 November 1989. The series combined elements of previous series such as the mis-matching of British and American crime-fighters from different classes as seen in The Persuaders! and the action of The Professionals.

Herne the Hunter picks Robin of Loxley as his successor in his mission to support the oppressed. Robin builds his army and leads a guerrilla attack to suppress the exploited's Norman tormentors.

Surgical spirit is a British situation-comedy television series starring Nichola McAuliffe and Duncan Preston that was broadcast from 14 April 1989 through to 7 July 1995. It was written by Annie Bruce, Raymond Dixon, Graeme Garden, Peter Learmouth, Paul McKenzie and Annie Wood. It was made for the ITV network by Humphrey Barclay Productions for Granada Television.

Classic Doctor Who duos are reunited as they board a very special TARDIS on a nostalgic voyage through space and time.

Fresh Fields is a British situation comedy written by John T. Chapman and produced by Thames Television for ITV between 7 March 1984 and 23 October 1986. A ratings success at the time, the show is well remembered for its opening titles featuring a silhouette of a person in a rocking chair. It stars Julia McKenzie and Anton Rodgers as Hester and William Fields, a devoted middle-class couple with an idyllic suburban lifestyle. William works while Hester keeps home. The crux of the show was that she was always looking to try new hobbies or find ways to improve her life, much of which exasperated her hard-working husband. The family home had a granny flat attached, in which Hester's mother Nancy lived. She was divorced from Hester's father Guy although remarried him as the series progressed. The couple had a daughter called Emma who frequently telephoned but never appeared. Her husband Peter did appear often. They later had a son — the Fields' first grandchild — whom they named Guy, after his great-grandfather. Perhaps, the best remembered supporting character was Sonia Barrett who would frequently pop round to borrow items to replace hers due to breakage, theft or mislaying. Hester was not perturbed by this, as the two were close friends, but it used to irritate William. Sonia had the show's only catchphrase — she would always knock on the back door of the Fields' home and then say It's only Sonia! as she walked in. This would sometimes lead to applause of recognition from the studio audience, a phenomenon more regularly seen within American sitcoms. Sonia's husband John appeared on occasion, as did William's secretary Miss Denham, played by Daphne Oxenford.

The Doctor and Ace arrive at a secret military base during World War II, where an ancient evil from the Doctor's past prepares to make his final deadly move. As hideous vampires rise from the sea and Russian commandoes begin to close in, they are confronted not only with a mystery from the distant past but also a terrifying vision of mankind's future...

A sheltered heiress falls for a charming playboy and elopes with him, but soon discovers his gambling vice and mounting debts. As his lies deepen and those around them meet mysterious ends, she begins to suspect that her husband’s affection may conceal a deadly motive—and that she could be his next victim.