Jacques Audiard

To mark the recent thirtieth anniversary of Sergio Leone’s death, this documentary sets out to pay tribute to one of the great legends of world cinema. The singular artistic vision of Sergio Leone has transcended national borders, creating the Spaghetti Western genre and transforming the international cinematic panorama forever with his innovative stylistic and narrative solutions, which have now become part of the language of the movies. The film, which is enriched with precious archive footage from the Cineteca di Bologna, including rare audio recordings and film clips shot behind the scenes, sees for the first time the direct participation of the Leone family and has interviews both with Leone’s longtime collaborators and with icons of Hollywood who have been profoundly influenced by his work.

Alexandre Desplat is one of the most famous film music composer of today. Innovative artist with a singular expression, he is the successor of french masters of film music: Georges Delerue, Antoine Duhamel, Maurice Jarre. Writing music for films gather his two passions: music and cinema. Between working sessions, confidences, films and personnal archives, Alexandre Desplat offers, through this documentary, a great record on the creative process and today’s cinema.

Dreamers is a film directed by Noelle Deschamps in 2012. Creation was always imagined as a mysterious process. Following these filmmakers, brings to light their passion, their imagination and their magical process.

A cruel circus owner beats and abuses his pregnant wife. One day the circus receives a leopard newly captured in Africa, but the animal soon dies. However, an evil creature that was inside the leopard bursts out of the animal's body, burrows into the wife's body and takes over her fetus. It soon starts demanding blood, and the woman goes searching for victims for her new "baby."

A portrait of a man of rare elegance and enigmatic charm, versatile and successful: Jean-Louis Trintignant, one of the most critically acclaimed French actors of the last sixty years, known for his numerous roles on stage and screen.

In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

Perhaps you have to love dogs in order to sell tins of slimy mystery meat to their owners. At any rate Martin, who is indifferent to pets in general, isn't doing all too well in his marketing job at Floppy Dog Foods. But right now this is the least of his problems: he has made a British au-pair pregnant in a one night stand; and while he is trying to figure out how to deal with this, his ex-wife (who divorced him over his not wanting children) and his mother (a militant anti-overpopulation, pro-birth control, pro-abortion activist) have a few comments to offer on the situation. Before his own child is born, Martin clearly has some growing up of his own to do.

With his popular culture, prolific imagination, and verbal alchemy, Michel Audiard revolutionized cinema in the 1950s and 1960s. Alongside his mentor and friend Jean Gabin, his writing partner Albert Simonin, and his favorite actors Bernard Blier, Lino Ventura, and Michel Serrault, we find his verve and innate sense of repartee, which alone reflect the spirit of the French people and language. From elegance to cheekiness, cynicism to tenderness, he made words speak like no one else. Between the expressions he stole from bar counters to refine them and his encyclopedic knowledge of French culture, he created a unique style and ranks alongside Prévert and Jeanson as one of the greatest dialogue writers in French cinema.

An annual awards ceremony recognizing excellence in film and television, both domestic and foreign, bestowed by the Hollywood Foreign Press Association.

An annual American awards ceremony honoring cinematic achievements in the film industry. The various category winners are awarded a copy of a statuette, officially the Academy Award of Merit, that is better known by its nickname Oscar.

The guest of the day is received on a set, located in an apartment without an audience, and guided simply by the sound of the host's voice.