Anna Maria Guarnieri

In a small Italian town, the local youngsters realize that their youth is coming to an end and marriage will soon follow. They gather together for one last time in an attempt to revive their younger days, but this comes to a dismal conclusion. Gradually it dawns on the group that childhood is over and the next stage in human growth must be faced.

Young Prince Vincenzo Gonzaga, rejects his first wife Margherita Farnese, obtaining the annulment of the union and, at the same time, raising strong doubts about her virginity

In 1967 the director Vittorio Cottafavi produces the TV movie Le Troiane from Euripides. He uses the classical Italian translation by Enzio Cetrangolo, but creates an original way of film adaptation, inspired by the Brechtian conception of staging the ancient theater. He does not use costume or set design, but is based only on the simple performance of the actors, highlighted by the shooting technique. The absolute sense of tragedy is perceived by the public through emotional engagement and imagination. So, the Trojan war is all the wars and the pain of the Trojan women is the pain of all the victims of any war.

An oceanologist born in Venice returns to his hometown because he was summoned there by an elderly colleague of international fame. When he arrives in the lagoon, the man does not find his colleague, so he sets off in search of him risking his life several times.

Marat, Lika and Leonidik, survivors of the atrocities of World War II, meet up by chanche and start helping each other to continue their life.

A young man journeys from a difficult childhood to maturity, exploring social injustice, personal development, and the complexities of human relationships.

La Cittadella is a 1964 Italian miniseries based on A. J. Cronin's 1937 novel, The Citadel, and produced by Radiotelevisione Italiana. It was directed by Anton Giulio Majano and stars Alberto Lupo as Dr. Manson and Anna Maria Guarnieri as his wife, Christine. Other television versions include an American, another Italian, and two British adaptations.

Italian televison adaptation of Fyodor Dostoevsky's novel of the same name. Although it is to all intents and purposes a television miniseries, the rhythm of the acting is typically theatrical: the long dialogues, the acting style and the actorly interpretation make it a true example of episodic television theatre.

The young writer Vanya is in love with Natasha, the beautiful daughter of Ikmenev, the man who raised him like a father. But the girl is infatuated with Alyosha, the son of Prince Valkovsky, an evil and unscrupulous individual who hinders the relationship by ruining Ikmenev, his administrator, and ensuring that his son chooses the rich and noble Katia. The arrival of Nelly, a fragile and restless orphan, will bring to light a distant secret and allow Vanya and Natasha to find themselves and begin their love affair. Vittorio Cottafavi expertly delves into a world full of intrigue, twists and turns, and deep emotions.