Franz-Olivier Giesbert

Quotidien (nicknamed "The French Show with the Good Lighting" abroad) is a French daily infotainment television program broadcast in the early evening on TMC since September 12, 2016. The show is hosted by Yann Barthès and produced by Bangumi. It consists of segments and reports produced by the team of commentators and journalists surrounding Yann Barthès and features daily guests including newsmakers, intellectuals, politicians, and French and international celebrities.

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

Every day live on FRANCE 5, Anne-Élisabeth Lemoine and her team receive those who make the news. In the second part, the program welcomes, around a meal prepared by a qualified chef, artists in promotion.

On n'est pas couché was a French talk show broadcast on France 2 on Saturdays at 11 p.m., hosted by Laurent Ruquier assisted by various columnists.

Salut les Terriens! is a French talk show hosted by Thierry Ardisson, launched on Canal+ on November 4, 2006, and then moved to C8 on September 10, 2016. The show subsequently changed its name and format in 2018 to become Les Terriens du Samedi! (The Earthlings of Saturday!). Initially conceived as a humorous take on current events with several guests and various games and segments, it later evolved into a more structured format with panel discussions and regular segments. In 2018, Thierry Ardisson sought to revamp the concept, believing the previous version had run its course, hence the transition to Les Terriens du samedi! with a new set and new segments, and a 360-degree turn in the ideology of the guests.

In each episode, 3 celebrities who have never met go on a 24-hour break in the countryside. A moment out of time to meet and talk about love, friendship, life with its obstacles and surprises.

Talk show hosted by Léa Salamé, featuring incisive, funny, and surprising personalities debating current events in culture, society, politics, and the media. The set is designed as an arena where artists, polemicists, intellectuals, politicians, top athletes, and powerful figures come together. Permanent guest Christophe Dechavanne can intervene at any time during the show. Comedian Philippe Caverivière is also present with a segment dedicated to the political week and another devoted to celebrity news and social media.

By making the Elysée Palace the most coveted, and also one of the most mysterious residences in France, the founder of the Fifth Republic surely never imagined that his successors would discover the immense solitude of power there. De Gaulle, Pompidou, Giscard d’Estaing, Mitterrand, Chirac, Sarkozy, then Hollande: Each of them had the opportunity to experience the dizzying nature of supreme office in this 18th century palace with the appearance of a bunker. It is this intimate, solitary and silent history that is recounted here, through key events, previously unheard accounts, and rare archive footage. The film reveals above all how heads of state are capable of secretly walling themselves up in serenity, gravity, tragedy, or dignity, as they embrace their destiny along with that of France.

In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.

A four-hour journey through the first ten years of Les Guignols. Cult sequences, historic sketches, reference expressions... offer sixty or so “Guignolized” personalities the opportunity to analyze the phenomenon or react to their puppets. Their impressions, shared with Gilles Verlant, punctuate the Night. All those who have made Les Guignols what they are today - Alain De Greef, the historical authors, puppet creator Alain Duverne, etc. - take the opportunity to reveal a few of their secrets.

This documentary tells two stories simultaneously: it's a profile of Bernard Tapie, a wealthy man who rises and falls spectacularly in French society and may be on the rise again; and, it's a look at Marina Zenovich's fascination with Tapie, behaving oddly in spite of her awareness that she's being irrational. Politicians, athletes, friends, companions, and journalists comment on Bernard's charm, his rise to prominence in sports and politics, and his subsequent trouble with the law. Zenovich becomes fixated on her need to interview Tapie, becoming virtually a stalker in her quest.

This is the unlikely story of 21 ministers and prime ministers who have crossed or are crossing the french Fifth Republic today. Twenty-one politicians who, from one day to the next, find themselves at the head of a ministry by the grace of a President of the Republic and his Prime Minister. The formation of the government, conflicts of attribution, reshuffles, rumours of appointments, evictions, casting errors: it is all the capricious backstage of the games of power examined here under the angle of confidence and which sheds light on the prestigious but unknown function of minister. An original and instructive political saga on the reality of those who hold or have held this prestigious position.