Malena Pichot

Battling terminal cancer, a woman writes a one of a kind notebook about life, death and love for her son to remember her by. Based on a true story.

Someone from Carlos' past shows up to remind him that he can find true love...he just has to remember where he puts it.

A couple, stressed from being confined to their apartment due to the COVID-19 pandemic, decide to spend a weekend in the countryside. The owners of the villa they have rented offer to stay with them and take care of them as if they were in a five-star hotel, but their offer hides other intentions.

In her new comedy special, Malena Pichot stars as Eleonore von Schwarzenberg, an European vampire princess sent to live in a seedy Buenos Aires apartment.

It Can Be Funny brings together the most representative comedians of the Buenos Aires scene to talk about comedy, from the creation of a joke, the search for one's own voice, the staging and the meeting with the audience.

A tour through the history of porn –among prejudice, taboos and myths–, from the moment it constituted itself as a genre until it became an industry. And, while we’re at it, a look on the chances of progressing in Argentina.

This funnywoman champions feminism while explaining while walking down the street eating a banana is an extreme sport.

This is the story of a successful family of artists and an unlikely blended family, told through what for some is the worst Argentine film in history and for others, an object of devotion.

A former pair of thieves must dust off their old seduction tricks when blackmail threatens to expose their dirty laundry.

Jorge Peker (Santiago Gobernori) is a frustrated lawyer who does not practice his profession and who is employed in a call center. One afternoon Jorge learned that his father had died. A few days later, at the wake of his father, his girlfriend Luciana (Charo López) leaves him and learns that his father left him as a legacy a house. The conflict appears when you realize that you can not keep this huge house alone, which forces you to rent a room and the only candidate that comes is Ludovico (Javier Drolas), a live, active and enterprising boy, his complete opposite. Ludo is paralyzed and walks in a wheelchair. This makes Jorge fight against his prejudices and learn to live, not with someone different, but simply, with living with someone, accepting others and considering them. And so he sets out on the royal road to be able to form the family he always wanted.

Norma works at an advertising agency where she must produce everything she despises. Her job represents everything she's always hated, but the fear of change is stronger. Her friends live in an eternal present where nothing is stable and everything is for now, and although she envies her friends' freedom, she doesn't dare imitate them.

The days of Male, Charo, Ana and Vanesa are of struggle and resistance. Wherever they are and how they are.