Moreira da Silva

Documentary about Flamengo, one of the most popular soccer teams in Brazil

Marcelino, a country bumpkin, comes from the countryside to try his luck in Rio de Janeiro. His uncle Simão, a taxi driver and resident of a favela with Sofia, comes to greet him at the train station. A neighbor, Tereza, takes an interest in the newcomer. At the pier, the criminal Zé receives a package and is pursued by police. Mira Diler performs at the Caverna nightclub. In her dressing room, the criminal Zé is found, injured and without the package. Valentino complains about the police action that is disrupting his "business." Marcelino still hasn't found work; at the same time, he tries unsuccessfully to sell his compositions. He begins helping his uncle as a driver, but puts his own worries first: he goes to the nightclub looking for Mira, but finds himself caught up in Valentino's schemes.

Maria is a young woman who becomes a well-known crook in the bohemian district of Lapa, in Rio de Janeiro. She earns her living with little scams and tricks. Nevertheless, she is good-hearted, and that's why her latest cheat doesn't work at all.

Musical documentary focused on the iconic figure of singer and songwriter Antônio Moreira da Silva, also known as Kid Morangueira. Inventor of a way of singing called "samba de breque", at 70 he's in full shape, dressed in a white suit and panama hat, singing his best known songs at a number of places.

Spider, a banker, lives with three women. A tycoon that is a caricature of Brazil's bourgeoisie, his trajectory is the starting point for an essay on the mental underdevelopment of Brazilian elites, in which black humor sets the tone for sharp criticism.

“Naked Eye” is a film-documentary of long-length of the artistic and existential universe of the singer Ney Matogrosso, which proposes to recreate through archive’s images in counterpoint with the current production of the artist, thirty-five years of career marked for inventive and transgressing spectacles, always symphonize with its time. Through a coherent boarding with its intransigent trajectory, the film intends to translate the language musical-corporal of Ney Matogrosso, trying audiovisuals resources that express signs evoked poetical politicians and in the repertoire of the singer. A film-song that that looks for to, ultimately, embody the voices of an artist who searches for a nation.