Rafael Molina

Ambitious Nice seeks social advancement through Rodrigo Medeiros, but ends up truly falling in love with him. This is the second version of the telenovela, originally aired in 1976.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

Amor e Ódio is a Brazilian telenovela produced by SBT and originally broadcast from December 10, 2001, to April 16, 2002. It is based on the Mexican telenovela La Dueña (1995), inspired by the Venezuelan telenovela La doña by Inés Rodena. Adapted by Henrique Zambelli, with text supervision by Ecila Pedroso, the telenovela stars Suzy Rêgo, Daniel Boaventura, Viétia Zangrandi, Jonas Mello, and Malu Rocha. The story follows Regina Vilanova, a kind and wealthy young woman whose life is shattered after she is betrayed by those she trusts the most. Determined to rebuild her life, she transforms into a strong and independent woman, taking control of her family's estate. As she falls in love with the honorable Rodrigo Junqueira, Regina must confront betrayal, revenge, and family conflicts while learning that forgiveness may be the only path to true happiness.

Michael and Suzie are an engaged couple taking their honeymoon off the coast of Spain. Their reservations are lost and Michael loses their luggage and money to a scam artist promising to get them a room. Suzie berates him and Michael, disenchanted with his nagging wife-to-be, gives in to the temptations that are all around them. He falls in with a free-wheeling motorcycle gang. Eventually his lover leaves him (Hemingway-style) for a bullfighter, and he and Suzie, having found their wild and independent spirit on the island, come back together.

The story of three characters in a brothel room: the prostitute Neusa Sueli, the gigolo Vado and the homosexual Veludo speak of their lives and expose their marginality.