Jan Coster

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge

A gripping and intense thriller about honour, loyalty, and the courage to fight for what you believe.

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.

Becker runs a business in Tingsryd, Sweden, specialized in garden furniture. In fact he sells everything you can make a profit from, including black labour from the Baltic countries. Becker, who is driven by his obsession with money and consumption, has built a local empire with his lucrative business. Now his business is being threatened, both from the in- and the outside.

About Lillemor Östlin in the 60s and 70s. Her downfall from the glamorous Stockholm nightlife to drug addiction, crime and prostitution.

A disturbed woman and a violent lunatic walk the same path in this thriller from Swedish director Kristian Petri. Monia is a businesswoman who has been hired to work for a large corporation based in Gothenburg. One evening, while having drinks with her colleagues, Monia steps outside for some air and she happens upon a man who has been brutally stabbed by a serial killer on the loose. Monia, who feels a curious emotional distance from the world around her, isn't sure what to make of this incident at first, but she can't get the violent image out of her mind, and over the next several days she keeps stumbling upon victims of the killer's handiwork. No one finds any of this remarkable besides her friend Frank, but in time she begins crossing paths with a curious man who seems to appear at the same crimes scenes she observes.

Mariken Halle first asked around her neighborhood if she might make a school film about one of her neighbors. When that didn’t work, she and her small film crew began addressing people on the streets of Göteborg. How would they imagine a movie that they would want to star in? The results were far from fantastic – she encountered dismissively amused responses and boring, confused ideas. But some of the people she talked to were different. They try getting into their “life role” – and she begins to direct them....

Sweden, shortly before Christmas. Surgeon Rickard is told the job he expected goes to a Dane, because of his substance abuse. It's too late to cancel dinner with his in-laws. The guest couple announces their in-vitro is a success. Then Richard's wife learns he cheated her with Sofie. Meanwhile ugly hag Anita trades drugs to afford a taser to use on her ex Olof and his former physiotherapist. Workaholic builder Anders is disgusted by his grieve-deranged client Knut's plan and decides to spend time on his family, not just money.

A dead, seven-year-old girl is found in a fisherman's net.

15-year-old Ida lives with her mother in Rossö in the Strömstad archipelago. Over the course of three stormy days, her life is turned upside down. She has a strained relationship with her mother, a non-existent relationship with her father and is let down by her best friend. —Maria Eriksson

Three different types of people end up at the same table at the same bar. Stefan will talk about Thailand. Jeppe will talk about his son. And Mia will write everything down. A film about how different interests crashes, meet and crash again.

Six strangers are sitting in a conference room. They’re in a focus group, but how much is there really to say about yoghurt? There’s so much more to discover about each other.

Three unconnected scenes; each a study of betrayed friendships, too much alcohol, the hurtful exercise of power. Somewhere in Sweden, sometime in June.

Tommy and Monika take in the spectacular view from a mountaintop. It's a beautiful hot summer's day. Fluffy clouds drift by. The sky is blue. Tommy delights in the birdsong. It's a fine day for a picnic.

When a student at the famous boarding school Tuna Kvarn is found dead, investigators are met with a wall of silence. Suspicions soon turn to pupils from a disadvantaged neighbouring state school – until a mobile film that reveals Tuna Kvarn’s humiliating initiation rituals appears on social media and triggers dramatic consequences.