Waldemar Matuška

This three-part Austrian/Czech comedy stretches the boundaries of what is considered to be humorous. Part one finds a silent film actor upset because of a rival actor's attention to the former's wife. When he kills his rival, it is only when he is strapped to the electric chair that he realizes that this is his last live scene. The second episode has the wife of an elderly British nobleman having an affair with the young gamekeeper of their estate. Part three finds a peasant woman taking a lover when her husband goes off to fight the war.

A model Communist village is visited by a flying saucer.

The winter Krkonoše Mountains have many pitfalls, especially if you are overly concerned about their treacherous splendour. The somewhat unheroic hero of this clumsily and uninterestingly shot film is a mail carrier who volunteers for the Mountain Service. Only in a blizzard does he overcome his fear of avalanches when he saves the lives of two hikers caught off guard by the suddenly deteriorating weather...

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.

Together with a group of temporary workers, a group of experienced labourers is building a land reclamation system to turn the South Bohemian marshes into a "Seventh Continent" of fertile soil.

A satire of the Great American Way, with Lemonade Joe a "clean living" gunfighter who drinks only Kola-Loca Lemonade and convinces everyone else in town (with his gun skills) that all "real men" drink ONLY lemonade!

The lives of 7 friends in a small Czech town from 1945 to some time after 1958.

A television adaptation of the successful 1961 Semafor Theatre performance of the same name. The Zuzana who listens to songs from a tape recorder and meditates on them is Zuzana Stivínová. The songs by Jiří Suchý and Jiří Šlitr, which were performed by the theatre stars of the time, became hits and are still sung today. Who doesn't know "Aria of the Moon", "Little Kitten", "Na konče seděla kočka", "Ach, ta láska nebeská", "Zuzana" and many others.

No Woman is allowed into Karlstejn Castle! Yet the enamoured Daniele Kolářová and the equally enamoured Jana Brejchová manage to spend one night in disguise in the Castle despite the strict royal ban.

Czech nobleman Petr Vok of Rozmberk (Milos Kopecký) is no longer so young, but his amatory adventures continue to arouse the envy of men and the indignation of respectable ladies. In his "female retinue" at the chateau in Bechyne he has twelve comely girls, but he still manages to seduce the miller's wife and the maid. Lord Vok is in great financial difficulties. His elder brother Vilém advises him to marry a rich woman. Petr surprises him by announcing his intention to marry the very young Katerina of Ludanice.

An anthology in three jazz-infused tales: an idealistic student’s romance with a pragmatic trumpeter; a vibraphonist’s urgent journey ending in tragedy; and drummer Honza’s moral dilemma as he confronts how far he’ll go to obtain his dream kit.

The Haszler songs of Prague, so popular in the late nineteenth and early twentieth centuries, have not aged. They are still sung in pubs and on construction sites, in short, everywhere. They also have their place in the love stories from old Prague, so beautifully told by Miss Veronika. Their heroine is Miss Stázi, who at first had no luck in love with the student Tadeáš. But then she fell in love with three gentlemen at once. The shy Mr. Alois, the cheerful Mr. France and Mr. Johannes, who seduced her behind the Horse Gate. But in the end she preferred the old but rich landlord. Three abandoned gentlemen nearly took their own lives under the Stone Bridge. But grief overcame them and the gentlemen settled down to marriages richly blessed with adorable children. And Miss Stasi? She ran away from the old man and returned to Mr. Franco when he came home from the army.

Inspector Brumpby (Jaroslav Marvan) and the young crime reporter Allan Pinkerton (Vít Olmer) attend wedding of Sir Hannibal Morris (Oldrich Nový) with beautiful Clarence (Kveta Fialová). After the ceremony, Clarence's ex-husband, criminal Manuel Diaz (Waldemar Matuska), who was believed dead, shows up in her room. He wants to get his hands on Clarence and, most importantly, on the money she would inherit in the eventuality of her new husband's death. Diaz makes attempts on Hannibal's life. He knows his way about an underground labyrinth in the château and the traps he sets up for Hannibal seem to work, since Hannibal is apparently found dead after an explosion in the labyrinth, after which his body vanishes. The inspector tries to solve the countless mysteries. In this, he is joined by Allan, always ahead of the man of the law in his estimation and judgment of the situation.

Members of an organised group smuggling heroin from France to Italy send a new shipment of the drug via Sweden, the GDR and Czechoslovakia. A new ballet is about to premiere at the Fibich Theatre in Prague. However, the situation is complicated by a horrific event: prima ballerina Milada Havlová is found dead in her dressing room. The autopsy and the first analyses reveal that she died of a heroin overdose. Captain Chrástek is in charge of the investigation and believes that it is not an accident but murder. An investigation unfolds that reveals not only the strained relationships between the members of the ballet company, but above all an international criminal network...

Two doctors, a German and a Czech brain surgeon, meet in a Berlin hospital, unaware of how fatefully they are linked by events from a dark past. A trip to a congress in Prague and an encounter with the wife of his Czech colleague force the German chief surgeon to rethink his previous life. The film deals with the explosive topic of the extent and causes of complicity in the crimes of National Socialism.

The leader of the fast-track workers' party is appointed worker director of the unprofitable Lucie mine. The wrong decisions he makes to increase production at any cost and to fulfil an unrealistic plan lead to a catastrophe in which his son is accidentally killed. After overwhelming criticism, the failed director wants to quit, but the senior management and party authorities continue to have faith in him...