Tamás Fodor

The fate of a Hungarian Jewish family throughout the 20th century.

Tony has been glowing since the day he was born and it causes him a lot of trouble. Just before the Christmas, a new odd girl with thick glasses moves into Tony’s house. Shelly has a strange way of expressing herself. Tony is fascinated by her but he is also being cautious at first. Together with Shelly’s flashlight, they explore their house and they are slowly getting to know each other. The kids have to join all their efforts to figure out who’s behind the circuit of dark cracks that sucks out all the light bulbs, even the daylight. It must be because of the ​“Spirit of the house”. A film about being different, about friendship, and first loves… But above all about light and darkness.

It’s summer in Budapest, high school student Abel is struggling to focus on his final exams, whilst coming to the realisation that he is hopelessly in love with his best friend Janka. The studious Janka has her own unrequited love with married history teacher Jakab—who had a previous confrontation with Abel’s conservative father. The tensions of a polarised society come unexpectedly to the surface when Abel’s history graduation exam turns into a national scandal.

Tamás is a talented cartoonist, who, however, does not exhibit, but is forced by the police to work as a phantom painter. His talent solves some crimes. Now he is confronted to sketch a serial rapist.

Eager to impress the Queen of Sheeba, a young Solomon accidentally releases the devil Asmodeus from his prison. With the Kingdom of Jerusalem in peril, Solomon and Princess Naama work together to find an end to Asmodeus' evil rule.

1956. Three Hungarian friends hijack a plane to escape from the Iron Curtain.

Tibor Malkáv is an andaverage 37-year-old man, who though not rich, leads a comfortable and uncomplicated life. All this changes when he finds out his mother is dying of cancer and the cost of surgery is well beyond his means. A one-eyed man known as the Cyclops offers Tibor a solution to his financial woes, however, there is a catch and Tibor has to kill someone in return. What follows is a chain reaction that has long-lasting and unexpected results.

In 1866, the Szendrey family gathers for the name-day of Júlia’s sister, Mária, but the event dissolves into bitter grievances and the physical decline of the household. As the dying widow of the poet Sándor Petőfi, Júlia struggles with a failed second marriage while Mária grapples with jealousy over her own husband’s love for Júlia. The family’s fragile unity finally shatters under the suffocating weight of Sándor’s heroic legacy and the pervasive shadow of illnesses.

A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?

Áron is a happy child in his family. But at some point things take a different turn, and his mother starts to lose her health rapidly. As this happens, the man in charge decides what's best for Áron without consulting the young boy's opinion, and the boy finds himself thrown out of his warm home into an orphanage in the woods. He's utterly displeased by what's happening, without knowing he has yet to face much worse...

For this austere, clear and sharp telefeature, Judit Elek focused on the last months of Martinovics’ life: his interrogation by the Austrians, the examining Magistrate Schilling in particular, shown as a battle of wits as well as delusions on both sides. Elek had wanted to make this film in the early 1970s, but wasn’t allowed to. When she finally got the chance, the reactions were predictable, as the parallels with recent Hungarian history were simply too obvious for officialdom not to feel anxious. History may not repeat itself, but the variations look eerily similar.

Kati, a fragile, sixteen-year-old teenager and Sándor, a twenty-two-year-old young man get married defying their parents' and friends' objections. They spend their wedding night in a bunk-house, and then, trusting the strength of their love, they move in a boathouse on the Roman beach of the Danube.

In the 19th century Austro-Hungarian Empire, David Hersko, a Jewish shepherd, witnesses the attack of a young girl. His home is burned down and he finds shelter with the family of a Jewish logger. The loggers find the body of a young woman which they bury, going against local laws. They are charged with her murder and it is believed that they killed her as a ritual murder.

What can you expect from a 30-year-old man? Have a good job, car, house, wife, kids. And how is András doing on his 30th birthday? He's an excellent saxophonist and he has a brain, but no money, no wife, no car. In fact, he has never made love to two women at the same time in his life. He decides to make up for it in one day. By the time the candles on his birthday cake are lit at home in the evening, he wants to be done with all the things he should be. With precise plans, he sets off on his big adventure in the morning. The girl for a wife Andrew meets is a real mystery: she plays with men, lies a lot, cheats even more, and sometimes steals a little. No order, but her smile is irresistible...

The family consists of Géza, the father, a comical and inept figure, his wife Paula who actually dominates family affairs, pubertal daughter Kriszta and 12-year-old son Aladár, a child prodigy. The cat Maffia and a dog, Blöki accompany the family. Dr. Máris, their cynical neighbour, is regularly and unvoluntarily involved in disasters surrounding the family.