Laura Ponte

A wealthy woman twice widowed, lives with his family and two servants in a shady country house in Galicia in the late nineteenth century isolated from the world to hide a serious incident occurred in the family ten years earlier. This event is subject to certain blackmail the family of which will be released by the arrival at the mansion of two strangers who triggered the investigation of the facts and a change in the future family life.

Orense, Spain, 1940, just after the end of the Civil War. Every time Elena locks the door of her home, she and her children become the faithful guardians of a sacred secret: Ricardo, her husband, their father, hides in the house, trying to avoid the brutal political persecution of the victors, who hunt, as if they were wild animals, and imprison or execute, those who have lost the bloody and tragic struggle…

Three moments in the life of a woman during the 20th century in Galician society.

In Brétema, on the Atlantic coast, there was a time when networks of smuggling, drug trafficking converted, achieved so much influence that they were close to control everything: social power, institutions, the lives of its people. Fins, Leda and Frink explore the coast in search of what the sea throws after a wreck, the sea is for them a place of continual discovery. The fate of these young people will be marked by the shadow odious and fascinating at the same time the ubiquitous Marshall, owner of almost everything in Brétema.

Writer in need of money returns to his hometown to try to write a new book. But his addiction to alcohol causes strange dreams that take him 50 years back to a Mardi Gras tuesday, when he was a teenager.

The literary activity of Emilia Pardo Bazán causes the scandal of her husband and conservative circles. Supported by his family, decides to end her marriage to become a professional writer. Doña Emilia is set in Madrid, where he developed an activity tirelessly to get the place in the institutions of culture that deserves for his talent and ability, facing all kinds of slights and exclusions because of their gender. The Countess will become one of the key figures of female emancipation in Spain in the late nineteenth century, leaving a work as extensive as rich and varied.

When high school teacher Tomás finds the bloodied, dying mayoress of his hometown high up on his local cliffs, he not only becomes obsessed with the case but turns into its first suspect. Though solving the case is local cop Maite's job, Tomás doesn't care if his own private investigation gets in her way. Solving the case might just give Tomás' life the purpose he has been silently dreaming of for so long. Though clashing more than once, the two of them come close as can be to finding the murderer: Norma, Tomas' very own physiotherapist. She killed the mayoress in a fit of rage after finding out one of her many dark secrets - one that lies many years behind but one that has deeply affected her and her family. A twist of fate has it, however, that Norma remains undiscovered; her former fear and powerlessness turn to empowerment and confidence. Then a second murder stirs up the waters. Now an unlikely team, Maite and Tomás resume the hunt for a murderer who is closer than they imagine.

Marina Quiroga, a daring upper-class girl with a detective's soul, sets off to catch the serial killer that has been terrorizing her town with her faithful butler Hector's help.