Golab Adine

A loyal gamekeeper enters the Pardis Kala region with his teenage son. There, an ill-wisher landlord has influence over all the people but no one likes him. A flighty sergeant is not happy about the gamekeeper entering there. A new teacher can not understand the gamekeeper's discipline so she does not like him. Khaleh Khanom who lives with the teacher also does not like her husband Hossein Amoo. Good guys fight the bad guys to fulfill the dream of the gamekeeper's son.

A mother of a poor family, has guests coming over, yet doesn't know how to get the dinner party altogether with limited resources.

An elderly owner of a tomato farm and sauce factory, after his wife's death, falls in love with one of the workers of the factory endangering his relationship with his daughters and in-laws. While everybody in the big family persuades the old man to abandon the relationship with the poor girl, the old man makes his final choice of love.

While supposedly taking mud baths in Korea, the paterfamilias of a family from Tehran’s Grand Bazaar dies of a sudden heart attack in Brive-la-Gaillarde. His wife and his oldest son travel to France to bring his body home and to investigate the circumstances of his death.

'When Everybody was Asleep' is the story of Bibi, a well loved, elderly midwife in a small village. When Bibi married, her husband promised to take her on a pilgrimage to Mecca, and, although he never forgot his promise, he passed away before he could keep it. After years of waiting, Bibi finally has the chance to make the pilgrimage, but her advanced age makes the journey more difficult than it ever was before

Tala and Ati (Sis) are a mother and daughter who have lived together for many years; almost 50 years, as long as the life of Sis. Their situation, however, does not last long, and the days of separation arrive. The separation happens when Sis depends heavily on her mother due to her special conditions, and Tala is trying to provide security for Atiâ's future in the remaining time; a future without her presence.

Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.

Forough Kia is a film-maker who got divorced from her husband many years ago and now is living with her son Maani. She decides to make a documentary about perfect mothers. In order to do so she meets many mothers to chose the perfect mother among them. She finally decides to quit making this film because of tiredness but doctor Rahbar wants her to continue. Maani is teasing her every day preventing her from marrying doctor Rahbar but she finally decides that she wants to marry him.

After spending all his money buying a piece of land that was already sold to someone else, Nasrallah Madadi finds himself in trouble. To solve his money problems, he then decides to be the offender of fraud rather than its victim. Getting himself involved with a pair of criminals, he begins a crooked business selling a same yellow taxi to different buyers, only to steal it back from them and sell it again. In a fascinating portrayal of human nature, Canary Yellow follows Nasrallah through the ups and downs of his double-sided experience of crime. But will it all end with the better life for his family he hopes for?

The fight for power in an isolated village. Two families have been enemies for so long they cannot even remember why. The only hope for peace between the feuding families is lost when an arranged marriage agreement is broken. Some days later, the groom, Karamat, returns with a brand new minibus. But a fierce competition for passengers break out when the bride, Mehrbanou, decides to do the same.

Spanning 18 years in an Iranian women's prison, this follows two women: the new prison warden, a tough as nails devout Muslim who has served in the army on the Iraqi front, and a young midwife, Mitra, who is serving her sentence for killing her mother's abusive husband. In the early years, Mitra is repeatedly punished as the warden tries to break her. This includes punishment for delivering a baby in the prison cell while all of the prison staff has taken shelter during an Iraqi bombing. The warden's attitude starts to change after 8 years, when Mitra tries to protect a new inmate from rape at the hands of her older cellmates. When the baby comes back in 1991 as a 17 year old delinquent, Sepideh, the warden respects Mitra enough to protect the girl.

After a rock is thrown through a window, two families become intertwined in a dispute after an incident following an unsuccessful marriage. The couple in question try to hash out what actually went wrong, as the surrounding family members point fingers at one another. Tension builds as all of their other problems seem to bubble to the surface at the same time.

Gol Muhammad is a young teacher who is in love with a girl named Siah Moo, but he can’t afford the bride token in order to marry her. He asks her to wait for him and goes to Pakistan to earn the money. However, he is arrested because of his objection to Taliban’s policies about expelling girls from schools. When people hear no news from him, they believe that he is dead until ...

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

The story is about a daughter of a noble family in old Tehran named "Mahboobeh" who falls in love with a carpenter's apprentice from their neighborhood. She rejects his suitors and stands up to her family so that they will recognize this love and consent to her marriage to Rahim. Unaware that the wheel of time sometimes does not turn according to the will.