Ichirō Sugai

In 11th-century feudal Japan, following the exile of an idealistic governor, his wife and children are separated by slave traders; the children, Zushio and Anju, are sold into brutal servitude under the cruel bailiff Sansho.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

When the wife of a 17th-century Kyoto scrollmaker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves truly falling for one another.

A hotheaded youth in 1880s Meiji Japan apprentices to judo master Shōgorō Yano, trading brute jujutsu bravado for discipline and humility. As Sanshirō matures, he proves judo’s spirit against old-guard challengers—including a deadly duel—while falling for his vanquished opponent’s daughter. Based on the novel by Tsuneo Tomita, son of Tomita Tsunejirō, the earliest disciple of judo.

During the Edo Period, a noblewoman's banishment for her love affair with a lowly page signals the beginning of her inexorable fall.

A former Buddhist monk turned erotic filmmaker, Subuyan lives with hairdresser Haru and her two teenage children. Shooting two skin flicks per day, he somehow manages to stay out of the clutches of the yakuza, but real trouble starts when Haru discovers him lusting after her daughter.

Young women at a precision optics factory in wartime Japan push to exceed production quotas, enduring illness, injury, and personal hardship to “serve the country.” Led by Tsuru Watanabe, they fight fatigue and setbacks to keep their line moving—even when duty collides with grief.

A few years after his breakthrough, Sanshiro resumes his path to judo mastery—testing his discipline against an American prizefighter and later facing vengeful karate brothers. As rival schools and public spectacle push him toward violence, he must reconcile strength with restraint and the true spirit of his art.

Fleeing a distressing family situation, Eiko, a very young girl, becomes an apprentice to Miyoharu, a veteran geisha. Both, determined to preserve their professional integrity, must face the selfishness and ambition of several petty people.

Two broke sweethearts wander war-scarred Tokyo on a single Sunday, stretching 35 yen as they chase housing, small pleasures, and a little hope.

Gamera escapes from his rocket enclosure and makes his way back to Earth as a giant opal from New Guinea is brought back to Japan. The opal is discovered to have been an egg that births a new monster called Barugon. The creature attacks the city of Osaka by emitting a destructive rainbow ray from his back, along with a freezing spray capable of incapacitating Gamera.

Kamezo, a manzai comedian, had been taking a break from performing while his partner Tsuruko was giving birth, but Tsuruko announced that she was retiring from the stage. That child was, in fact, the son of Takashi Yashiro, a politician with a promising future. Believing that a relationship between a politician and a female manzai comedian would bring unhappiness to Yashiro and his wife, Tsuruko changed her address and was even preparing to leave the stage. Tsuruko’s alcoholic father, having caught wind of this, snatched the child, Yoko, and squandered the small sum of money he had received from Yashiro on drinking.

Stalwart soldiers of the Japanese Empire – Japanese and Korean alike – stand in defense of a military outpost threatened by "bandits."

In postwar Tokyo, Noriko lives with her extended family. Although she enjoys her career and her social life, her more traditional family worries about her single marital status at the advanced age of 28. 40-year-old business associate Takako proposes, Noriko's family press her into accepting, but when her widowed childhood friend Kenkichi returns to the neighborhood, she finds her heart leading in another direction.

In 1880s Japan, women's struggle for equality rages on. Eiko Hirayama leaves Okayama for Tokyo, where she helps the fledgling Liberal Party and falls in love with its leader Kentaro Omoi, just as the party is being disbanded by the government.

A group of pirates sail the treacherous Pacific ocean in search for wealth.

Two men clash over the beautiful star of a motorcycle show.

A middle-aged husband of a younger woman finds her youth intimidating to the point that he cannot become aroused. His solution involves the introduction of his daughter's lover to his wife.

Japan, 1137. The Taira family, a samurai clan, becomes involved in the disputes between Emperor Toba and the monks of Mount Hiei.

A story of yakuza lynching during the Edo, Meiji, and Showa periods.

A tale of melancholy centered on a couple of engineers at a power plant in the north and a pure romance with a female engineer.

Following a yearlong attendance upon his shogun in Edo, samurai Hikokuro makes a long-awaited return to his home and doting wife, Dane. Initially greeted by the effusive welcome of his family, spiteful whispers also reach his ear about an adulterous affair carried on, in his long absence, between his wife and a famous drummer. With Hikokuro’s honor imperiled by rumor, his family insists on a formal investigation into the veracity of the gossip. Through the combined testimony of many witnesses, a tale unwinds around the visits of a traveling musician hired to tutor the family heir, the spurned attentions of the man who started the rumor, and the ultimate truth behind the accusations. The conclusion of events prove as much an indictment of bushidō as it is of the reluctant parties involved. Adapted from a 1706 play by Chikamatsu Monzaemon and based on a true case.

Two car manufacturers spy on each other to try to find out details and prices of a new sports car each is about to launch.

The 8th NHK Asadora. Starring Yumiko Fujita in a family drama. The first Asadora filmed in color.