Katarina Bistrović-Darvaš

A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.

Maks is a brilliant lawyer who has been serving for years one of Croatia’s most powerful and ruthless businessmen, who made his fortune in the aftermath of the Balkan War. Maks’ latest service has been to have his client declared innocent of the murder of two of his workers for acting in self-defense. But the sudden appearance of a former girlfriend triggers a crisis of conscience in Maks, leading him to confront his employer and risk his life by uncovering a dense network of corruption at the highest level involving all branches of the State.

Post-war Zagreb, 1995. University student Jagoda lives in a decaying apartment with her sickly mother, alcoholic brother and depressed father. She decides to find some peace in a relationship with her boyfriend, a soldier named Zlatko, however, when they decide to take their relationship a step-further, they can't seem to find the time to do so and cracks in their clashing worldviews and personalities begin to show.

"Long Dark Night" follows the life of the fictional character Iva Kolar: his experiences as a Croatian University student, his role as a Partisan fighting Hitler's troops during W.W. II, his involvement in his nation's post-war government, and his eventual downfall.

In Autumn of 1991, a Croatian soldier looses his wife and home to Serbian forces. Panicked, he grabs his daughter and, with nowhere else left to go, they leave for Zagreb, hoping to find shelter there. But, it turns out the streets of the war torn capitol are not much more safe nor pleasant than the village they had to leave behind.

Zagreb. A family: Ana, the mother, Katarina, Tvrtko and Drazen, her three grown up children, and Tvrtko's girlfriend Natasa. The story begins in the morning when Natasa, after a quarrel with her boyfriend, comes back home, a two-bedroom apartment where her mother and brothers live. This brings a little bit of confusion in the family's everyday schedule. Through many dialogues we get acquainted with the members of the family, their personal problems and frustrations and their interesting and sometimes strained relations with no serious hard feelings, though, their biggest problem being the financial inability to move away and start living on their own.

A disillusioned opera star, a lonely pastry chef, and a divorced Don Juan with an amorous history offstage make for choice ingredients in this poignant romantic tale spiced with Christmas cookies, borscht, and an alarming quantity of deadly insecticide. Director Tribuson demonstrates a deft talent for juggling comic romantic disasters from a woman’s point of view as her characters negotiate the bamboozling ways of love. Middle-aged Verica (acclaimed actress Marinković) pours her heart into her café’s pastries, but she can’t seem to find a like-minded lover until a duplicitous handyman with pheromones to spare and an eye for the ladies sets off a chain of unforeseen adventures all tied together by one fateful plate of tasty treats.

It deals with unexpected romance between a salesgirl and a police inspector.

A story involving a group of traveling actors who perform at an experimental prison where the thieves have first class comforts provided to them by a reformist warden. Ironically the troupe performs a play named The State Thief, a play about thieves for thieves.

A widower from Split arrives in Zagreb for a medical checkup and disrupts his son’s family everyday.