Denise Groesman

Over several days and nights, an actor and an actress read the correspondence between Torcuato and Kamala, the film director's parents, he from Argentina, and she from India. The letters, encompassing the decades from the 50s to the 70s, refer to love and idealism, record world travels, talk about socialism and psychoanalysis, about pain and broken dreams. Their reading reveals a relationship between the actors, with similarities and differences. Meanwhile, with his own daughter, the director sets about solving the puzzle of the family memory, an intimate twentieth-century tale.

Maria's family give her a puzzle for her 50th birthday, and she loves it. Not only does the patient housewife have fun solving the puzzle, she's also really good at them. Overflowing with enthusiasm for her new-found passion, she goes back to the shop where they bought the gift for another puzzle. There her eye is caught by a notice on the message board: Partner for puzzle tournament wanted. Maria musters her courage and, despite her family's misgivings, answers the announcement.

An unconventional portrayal of several young women witnessed in immersive yet indeterminate states: within their bodies, among their friends and lovers, and ultimately in a culture of economic and spiritual recession. Obliquely inspired by Bela Bartok’s sole opera, Bluebeard’s Castle.

Seemingly abandoned, a young woman walks through the porous city of Buenos Aires with her camera, finding potential mothers at every turn.

Antonio Decoud is a conservative family man who is forced by destiny to face an unexpected situation that shakes him to the core, scrambling up his life and his priorities, pushing him to forget his beliefs and his way of understanding life and follow the most basic instinct: the animal instinct.

Three friends in a summer trip, an empty service station; Manu gets locked up and Clari and Lu must find help.

Emilia is a young psychiatrist living in Buenos Aires with her boyfriend. She has a steady life but is not fully satisfied. She receives an invitation to go back to her hometown in Patagonia to spread Andrea's ashes, Emilia's best friend who died five years earlier.

Love letters, ridiculous love letters, old letters from ridiculous lovers, and a pursuable girl. Then, there’s running in the swimming lessons, in college academies, in the empty lots of suburban Buenos Aires. Dedications, interviews, empty avenues, sketches, and militants. And in the end, two kids in the street, afar, screaming, and kissing.

A summer vacation in the 70s. Lalo and Bruno are teenagers doing nothing on days full of nothing. But on a hot and humid afternoon, and without asking for permission, Lisa arrives smashing more than the letargy of the town. Thirty years later Lisa comes again to interfere in the lives of these two adults.

Luisa works temporarily babysitting children in a factory. For an inopportune occasion, they are left with their boyfriend in charge of a boy who accidentally suffers from drug poisoning. Luisa and her boyfriend will be involved.

A group of actors retire to an island in Tigre to rehearse William Shakespeare’s As You Like It and suddenly Luisa, who is playing Rosalinda, makes a bad decision.

Romina returns to her roots to rediscover who she is. After the first overwhelming years as a mother, it's as if the mist starts to rise: she's a little too old for disco parties and hanging round with twenty-somethings, but still young enough to fantasise about others. Actress Romina Paula points the camera at herself, her son and her mother in this intriguing mixture of documentary and fiction.

A fairly realistic fiction by Martín Piroyansky about the life of Martín Piroyansky. The story revolves around an actor who loses his job due to an employment contract, which for many people is an unsolved mystery.