Tulio Gómez Álzaga

When the beautiful Leonor arrives at the architecture studio Borla y Asociados looking for Nelson Jara, both Mario Borla and his partner Marta Hovart and Pablo Simó, the building's oldest architect, claim to ignore that name completely. But they all lie. The truth begins to unravel through the memories of Pablo Simó. Pablo should carry out the unpleasant job of dealing with Nelson Jara, an indignant owner of the building adjoining a work of the studio, damaged by a crack in the wall of his living room caused by an error in the construction. But the fear and nervousness that provokes in the three involved the arrival of Leonor and her question "what happened to Nelson Jara?" Show something much darker and more suspicious. (FILMAFFINITY)

An analysis of the logics of modern schooling and the way of understanding education, while showing different, non-conventional educational experiences that raise the need for a new educational paradigm.

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.

Galán is a plumber who falls in love with Venecia, a millionaire girl who lives under the mantle of her father, Mr. Dolape, and the mistreatment of her stepmother Lucrecia, who prepares a plot with Carlos Carlos to obtain the worst ending.