Sandino Martin

With his family life in shambles amidst the government's war on drugs, a young man transitions from being an ordinary filmmaker to being a full-fledged member of the revolutionary movement, proving that conviction knows no gender.

The protagonist and his boyfriend Marco have a steady relationship, but when he meets Joaquin at the same time, he develops an unexpected connection.

On Christmas Day, 15 year old David finds out that his boyfriend, Jonathan has taken another lover. The discovery leads him on the brink of depression making him think of ways to have him back at all cost. He has invited Jonathan to see him on this day for the last time.

Many have been aspiring for the position of Major Mac Favila, who is every cadet's ideal officer considering he is sharp, snappy, witty, and most of all, the most masculine among the school's many officers. Private Abel Sarmiento, who was abused when he was a child and Cain Fujika, a Filipino-Japanese whose mother worked abroad as a japayuki are the top contenders for his position.

While the marriage of two professors is on the verge of falling apart, the woman is dragged into a scandal involving a young student. On the other hand, the man falls in love with the subject of his research—a deity that appears to him as the ghost of an old flame.

The film is about the lives of simple folk caught between the crossfire of Kapitana accused of political patronage, and Patrol Kalikasan using the environment as a front for their own political and economic interests on the small mining community.

The love story, shown through the perspective of different genders, paints how a real relationship works. It eschews the narrative for emotions and established that love knows no gender when it pains or soothes, when it hurts and heals.

The dead come alive as an ambulance driver and a nurse try to keep awake recounting road ghost stories on a Good Friday, the day of Christ’s death.

A musical tale about two impoverished sisters' anguish over whether or not to sell the final masterpiece of their recluse father days before the second world war, in Manila.

This is a story of the journey of 3 souls heading towards healing and redemption. RINGGO is a 16-year old boy who works as a dog-shooter (the one who assists in mating the dogs with breed -- he will see to it that the private parts of the stud and bitch will be locked during the mating and no sperm will be put to waste in the process). Ringgo works for BONG, a 40-year old lesbian who is a breeder of dogs. One of Bong’s dogs is I’nca, who is a troubled Doberman. Things will get complicated when Ringgo, I’nca and Bong developed a relationship as if they were really mother and child, and get entangled in each other’s personal issues and becomes each other’s protector and defender. The one that ties the three of them is that invisible umbilical cord... the cord of love and sacrifice.

Recognized as the longest and most award-winning drama anthology in the country, Charo Santos-Concio narrates real-life stories of people with well-crafted storylines, excellent performances by its actors, and topnotch production details.

A former DEA agent forced into early retirement runs a gift shop in in the Philippines. Despite his best efforts to begin a tranquil new life, he’s pulled back into a world of dangerous people and deadly situations, either through his friends in the local police department or running into people from his old life. And the problem is: he likes it.

A seemingly perfect home gets shattered by broken trust and infidelity, bringing forth catastrophic effects into the lives of the couple, their son, and everyone else involved. This is a story about a woman scorned.

Lies, murder, motherhood, and guilt bind six law graduates to a mother who lost her child to a kidnapping incident. Now embroiled in a messy cover-up of a crime, the group deals with the repercussions of the web of lies they started.

A single mother of three has devoted her life working hard to provide for her family. Her sacrifice finally pays off as she sees the success of her children. Their peaceful life is shaken when his ex-husband returns, hoping to make up for lost time.

We meet, we get to know each other, we fall in love; we kiss, we embrace, we get physical, and we enjoy the moment, but does it mean that we really have each other? Is it possible that all kinds of desires, both physical and abstract, can make a difference in a relationship? Because even though I love you, I still think of others.