Marcia Haydée

As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.

The gifted, charismatic artist John Cranko moves to the Swabian province from London, where he is attacked for his homosexuality, and after many crises becomes the great sensation as the new pop star of the arts: the Stuttgart Ballet Miracle.

Present day. Chile. Legendary bank robber Vergara Grey is getting out of prison after 5 long years and is looking forward to a quiet, uneventful life together with his wife and son whom oddly he hasn't heard from in years. But soon his resolve is tested when he meets 19 year old Angel a young thief who insists the two join up to score the biggest heist of all time. Though tempted, he resists until he finds out that his beloved wife has gone off with a millionaire and his son wants to change his last name. Then Victoria, a graceful and mysteriously mute dancer living in a conservatory, steps into the picture. She captivates Vergara and Angel, as well as all others that cross her path, drastically changing their lives.

Based on Alexander Pushkin’s dramatic verse novel "Eugen Onegin", the ballet tells the tragic love story of the world-weary aristocrat Onegin and the naïve country girl Tatiana. John Cranko’s Onegin holds a special place in the choreographic repertoire of the second half of the 20th century as one of the few original full-length ballets.

A series of poems.

Márcia Haydée is a Brazilian dancer of worldwide consecration, known as the "Callas of dance", for her great interpretive power. In her career, she performed at the Ballet of the Marquis de Cuevas (FRA), but it was at the Stuttgart Ballet in Germany under the direction of John Cranko, who in the early 1960s she became the choreographer's muse and was revealed as a great performer and dancer. In the 1970s, after Cranko's death, Márcia took over the management of the company and stayed ahead for 20 years. She worked alongside big names such as Richard Cragun, Rudolf Nureyev, Jorge Donn, Maurice Bejárt, John Neumeier.