Álvaro Freire

The relationship among three friendly couples turns upside down when two of the men get a job on TV. Their girlfriends leave them, looking for more action in their lives.

After the death of her handsome but good-for-nothing husband Vadinho, Flor, a widow, marries Dr. Teodoro, a respectable gentleman. Hilarity ensues when Vadinho's spirit returns into her life.

The true story of Assis Chateaubriand, the first magnate of communications in Brazil. Due to his influence during the late 1930s up to the early 1960s, he has come to be called 'the Brazilian Citizen Kane'.

The film shows the drama of the young and fragile Lalinha. After being abandoned by her husband, who ran away with another, the girl seeks comfort on the farm where the two in-laws live and the widowed father-in-law. There, the girl discovers a new world.

Peter Mandrake, a North-American photojournalist becomes embroiled in South America's dangerous underworld of pimps, drug gangs and arms smugglers when he sets out to find the killer of a local call girl.

Short documentary film about the afrobrazilian religion Candomblé.

Shady and beautiful art dealer involves her former lover and an art expert in a scheme to deceive a rich collector. Exposed, she escapes with her new lover, a pilot.

Mid-1970s. When the military regime's "economic miracle" and the victory of the Brazilian football team on the World Cup serve as a distraction for the persecution of opposition leaders by the political police of the dictatorship. Under this context, Jofre Godoi da Fonseca, an alienated middle-class man, is mistaken for Sarmento, a political activist he met at an airport prior to his assassination. He is then arrested for being "subversive".

Story of Brazilian bank-robber Lúcio Flávio, who fascinated some people in Rio de Janeiro during the 1970s for his bold robberies and spectacular escapes, and also because he was thought to be intelligent and "politically aware". Before dying, he disclosed a network of corruption in Brazilian Police, and its involvement with the infamous "Death Squad" of the time, a group of policemen who went about killing criminals without giving them a fair trial.

Tadeu, a poor lad from the Northeast of Brazil, comes to Rio de Janeiro to try his luck. His good looks and education win him the favor of rich people. In his spare time, he becomes the favorite among lonely and rich ladies. Soon he gets involved in trouble.

Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.

A day in the life of Brazilian president Juscelino Kubitschek, in a troubled period of his term, while he maintains a secret love affair.

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.

During the Carnival, in Niterói, the son of a Lira do Delírio nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.

Financial problems in a religious school for girls force the government to interfere. While waiting in the conference hall to communicate the fact to the school administrators, the intervenor falls asleep and a crazy dream begins, involving teachers, students and strange characters.

Geraldo Viramundo is a nice guy with absurd ideas. Viramundo becomes a priest, politician, soldier, and revolutionary in his quest for freedom and justice. A wanderer and playful character, he travels through various cities in search of his beloved Marília. He sees the world through the eyes of the underprivileged, and it is with prostitutes, beggars, and the insane that he embarks on a great march to the Palace of Liberty in Belo Horizonte, where the seat of the state government is located.

A military man picks up a Native Brazilian woman and heads to a gold panning site where he has undisclosed business to attend to.

Based on fact, this is the story of the struggles of Japanese immigrants who traveled to and settled in Brazil looking for a better life.

In the beginning of the 20th Century, in the Northeast of Brazil, one of the first Brazilian industrialists is persecuted because he refuses to sell his business to a British company.

A senator having contacts with illegal betting activities is killed by the man who is his right arm, who wanted to get his position. But the power structure resents this disturbance and can fall apart, specially since there's a witness.

A group of eccentric people gather at a popular bar in Ipanema, Rio de Janeiro.

Fátima Accioly is a young, callous woman who wants to be rich and successful at any price. After selling her family's house in the country, she heads to Rio and gets to know dress man César who is unscrupulous himself. Meanwhile, her mother Raquel stays behind without home and money, but finally tries to find her daughter in the big city. Both women come in contact with the rich Roitman family which changes their lives forever.

Determined to secure the release of her father—imprisoned for advocating communism—Sílvia travels to Rio de Janeiro, where she finds work as a chorus girl at the Cassino da Urca. There, she meets and falls in love with a croupier named Tide. Sílvia becomes a celebrated beauty of Rio's nightlife but is blackmailed by a Nazi named Jofre; he promises to help free her father if she marries Michael, an Englishman from whom Jofre intends to steal a map to a uranium mine.

After her divorce, Malu faces challenges in supporting her daughter and reinventing herself, grappling with loneliness, work, and the search for a new place in the world.