Lajos Őze

Mihály, a retired foundryman has brought up his sons in a very disciplined and strict way, and as a result they have become a doctor, an engineer, and a teacher. However, his half orphan grandson, Misi, has been spoilt, and become skilled in nothing else really but riding his motorbike and going to parties. He has been involved in shady businesses a number of times already. Having experienced so many difficulties, privation and hardship in his own life and now seeing Misi's irresponsible lifestyle, the old man's bitterness is growing day by day.

The film is a true account of the drama of "non-action" on 14th and 15th of October, 1944. The Nazis, having a straightforward program, occupy Hungary with little or no difficulty, as the Hungarian political leadership had no unambiguous program for responding to possible steps of the Nazis. In spite of the secretly signed cease-fire agreement and proclamation, Horty gives up all plans of resistance at the news of the kidnapping of his son. The Nazis take over power and roll up the so-called conspiracy aimed at Hungary's breaking away from the German alliance.

In 1956, a crusading newspaper reporter covers the Soviet invasion of Hungary. Initially critical of the communists, the feature later espouses the virtues of social changes implemented since the invasion.

This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

The heroines of this lyric comedy full of burlesque elements are two girls from a village who get totally engrossed in their day-dreaming. Ida and Rozi escape to the city to catch husbands for themselves.

Marci is drafted from a typical block building in the 6th district in Pest. He says good-bye to Juli living in the same house, with whom they are both very much fond of each other, but neither of them makes a confession. Juli works in a factory, and with her friend Gizus she goes out in the evening for dancing and drinking. After a year, Marci comes back for holiday, he is full of love.

In 1944 Budapest, a watchmaker, a book seller and a carpenter are drinking in a bar with the owner, when they are joined by a stranger. The watchmaker poses a hypothetical that will change their lives forever.

Hungary in the 1930s. The world suddenly changes around the peaceful office-clerk and regular, average petit-burgeois Kornél Cassius. Friends and relatives turn up in his home, who soon establish themselves there and even take the upper hand. They continue to arrive in increasing numbers, and turn the well-known objects and patterns of relationships upside down.

After the failure of the Kossuth's revolution of 1848, people suspected of supporting the revolution are sent to prison camps. Years later, partisans led by outlaw Sándor Rózsa still run rampant. Although the authorities do not know the identities of the partisans, they round up suspects and try to root them out by any means necessary.

Merry soldiers arrive in the sleepy Transdanubian town. The cynical woman-hunter, Ferdinándy, learns to know doctor Barlay's beautiful wife at a carnival. She lives a happy married life, and the attentions of the lieutenant are all in vain.

Mocorgó, the well-meaning worker boy, is a tough guy. In his 40s he is still a mechanic's apprentice, but he is disappointed by his family, women and friends, and becomes a criminal. He goes to prison several times and tells the story of his life to the writer, who follows his story until 1956, until Mocorgó's death.

The Hungarian Oh, Bloody Life reflects on the heavy emotional toll taken by the repressive Stalin regime. Dorotya Udvaros plays a young actress from a high-born family. The government bias against persons of wealth threatens to destroy her career before it begins. As a final blow, she is threatened with deportation. The exasperation inherent in the film's title is only the tip of the iceberg.

An aspiring film student is denied a scholarship to the state-funded university when his father is thrown in jail. The man had stopped a train in order to facilitate the union between two old friends. The son then takes a job as a land surveyor and meets a Greek man who works towards the collective benefits of the peasants. The man is killed in a peasant uprising prompted by a bureaucratic boondoggle. The surveyor looks after the man's widow as his emerging political and social awareness leads him take a stand against government injustice. Another incident, in which gypsies are rounded up by state hygiene workers, further galvanizes the man's beliefs. He photographs the incident, and his work allows him to be accepted into the school from which he was previously denied admission.

The movie is based on a short story by V. Kataev. A young tractor driver Duri loves Dorka, the daughter of the owner of a ring-throwing attraction. The girl's father is against the marriage. Durie makes a cunning plan: he starts practicing ring throwing. At the opening of the attraction, Durie takes part in the ring toss and wins prize after prize, which he immediately hands out to the people around him. Dorka's father allows Dury to marry Dorka to save his business from ruin.

Hungary, 1950s. József Pelikán, who works as a dam keeper on the Danube, meets by chance Zoltán Dániel, an old friend whom he saved from death years before and who is now a powerful politician.

A sequel to "Yesterday". About the defeat of the Hungarian uprising of 1956. The action takes place in the barracks of the People's Army, in the War Ministry and in one of the largest factories in Budapest.

This mocking criticism of public life and the media focuses on a TV series. The protagonist of the film, depicting the battles fought for Hungarian castles during the Ottoman occupation, is chosen to be the amateur Prohászka Feri, a worker in the beer-factory.

The two main characters of this ironic account of the general condition of intellectuals are the charming psychologist, Korin György, and the unexpected. Korin starts a television series of people in their 40s. In the afternoon just after the first section, however, he is reported to be dead as a result of a rather strange accident. Everything turns upside down.

The seeming hopelessness of combatting an all-powerful government that will not tolerate political dissension is the focus of this excellent historical drama set in the mid-19th century in Hungary. In the opening scenes, Hungary has just lost its bid for independence from Austria and a Magyar officer, unable to bear the tragedy of defeat and what it means, says an affectionate good-bye to his beloved horse and then shoots the animal and himself. Two years later, Ferenc (Gyorgy Cserhalmi) is trying to eke out a living for his wife and her family -- and at the same time avoid any hint of sympathy for Hungarian independence because the Secret Police are everywhere. Just as life seems to be going well, Ferenc's former commanding officer (Lajos Oze) arrives and begins discussing revolution again -- a futile pursuit at this point in time. The next day, Ferenc is thrown into an insane asylum and everyone else is arrested as well.

A Budapest high school in the beginning of the 1960s. Dini suffers the torments of adolescence. His father had to leave Hungary after the uprise in 1956, and since then Dini's mother has had to take care of her two sons on her own. A friend of Dini’s father, Bodor, is released from prison and moves in with them. Dini and his brother are far from happy about this intrusion on their family life.

After her divorce leaves her feeling depressed and aimless, a disciplined forty-year-old woman named Teréz wanders through Budapest while grappling with a profound sense of isolation. She visits former lovers and estranged acquaintances in a desperate attempt to find a meaningful connection and reclaim the stability she has lost.

In the aftermath of World War II, a Hungarian teenager, captured by Soviet troops, forms an unlikely bond with a Russian soldier in a remote prison camp.