Maurice Shrog

A baseball legend almost finished with his distinguished career at the age of forty has one last chance to prove who he is, what he is capable of, and win the heart of the woman he has loved for the past four years.

While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.

The Narrator tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year's Eve 1944, this coming-of-age tale mixes the narrator's experiences with contemporary anecdotes and urban legends of the radio stars.

Looking to get rich quick, an unsuccessful lawyer uses dishonest means to try to become a boxing promoter.

A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an anecdote shared amongst a group of comedians over lunch at New York's Carnegie Deli. Rose's one-man talent agency represents countless incompetent entertainers, including a one-legged tap dancer, and one slightly talented one: washed-up lounge singer Lou Canova, whose career is on the rebound.

Ray Pluto has many problems. He is satirized in the tabloids as the "loser cop." His partner is starting to seem suspiciously attracted to him. A pair of screenwriters across the hall keep bugging him for help. The superintendent of his building is stabbed by hoodlums hired by his own rebellious daughter. To top it off, a sexually aggressive chiropractor may just be Ray's undoing.

Three ad agency buddies, who cannot seem to find fulfilling love, decide to place personal ads to find new romance. The resulting blind dates and ultimate results are about what one would expect.

A wheelchair-bound, former boxer deals with his long estranged granddaughter whom is seeking financial help for her writing career and helping her loser boyfriend get out of debt with the local mob.

Harvey Middleman (Eugene Troobnick), a New York fireman, lives a very ordinary life with his wife (Arlene Golonka) and children. After he rescues a beautiful girl (Patricia Harty) from a fire, he fancies himself to be in love with her, leaving his wife and seeking help, in the process, from a nutty Psychiatrist (Hermione Gingold).

In cases ripped from the headlines, police investigate serious and often deadly crimes, weighing the evidence and questioning the suspects until someone is taken into custody. The district attorney's office then builds a case to convict the perpetrator by proving the person guilty beyond a reasonable doubt. Working together, these expert teams navigate all sides of the complex criminal justice system to make New York a safer place.

Robert McCall is a former agent of a secret government agency who is now running his own private crime fighting operation where he fashions himself as "The Equalizer." It is a service for victims of the system who have exhausted all possible means of seeking justice and have nowhere to go. McCall promises to even out the odds for them.

Armstrong Circle Theatre is an American anthology drama television series which ran from 1950 to 1957 on NBC, and then until 1963 on CBS. It alternated weekly with The U.S. Steel Hour.