Sarah Lam

The ground-breaking soap set in a housing estate on the outskirts of Liverpool.

Drama following the lives of a group of midwives working in the poverty-stricken East End of London during the 1950s, based on the best-selling memoirs of Jennifer Worth.

A modern update finds the famous sleuth and his doctor partner solving crime in 21st century London.

Ten thousand years before the ascension of Paul Atreides, sisters Valya and Tula Harkonnen establish the fabled sect and female order that would become known as the Bene Gesserit to control the future of humankind.

An anthology series of various plays and dramatic performances.

The BBC's answer to Dynasty, Howards' Way was launched in 1985 with an enormous 1 million pound budget. The main characters in the show were 'best boat designer in the world' Tom Howard, his boutique running wife Jan Howard, 'I'll have a drink' Jack Rolfe and a nasty man called Ken Masters. It starred Maurice Colbourne.

Frank Stubbs (Timothy Spall) is a down-at-heel ticket tout with grand ideas. He has an ambition to become a 'high class' promoter of famous and talented performers. In reality, his ambitions tend to outstrip his capabilities.

A young and idealistic Doctor Stephen Daker arrives at Lowlands University to work at the Health Centre, but has to cope with an eccentric set of colleagues.

Each hour-long film follows a different woman as they experience “moments that are emotionally raw, thought-provoking and utterly personal”.

When Miri Matteson returns home after eighteen years, can she integrate back into her old life? With a terrible event from her past hanging over her, it won’t be easy.

Eccentric psychology professor Dr John Cornelius solves technologically-charged crimes with his partner Samantha Valentine, police contact Inspector Cadogan, and his HOD Professor Owen Griffiths.

Q.E.D. is a 1982 short-lived adventure series set in Edwardian England, starring Sam Waterston as Professor Quentin Everett Deverill. The Professor was a scientific detective in the mold of Sherlock Holmes, and the series had a smattering of what would later be called steampunk. In the show, the lead character was known primarily by his initials, Q.E.D; the reference here is that Q.E.D. usually stands for quod erat demonstrandum, a statement signalling the end of a proof. The show aired on the CBS network in the United States, and on Channel 4 in the United Kingdom.

No Problem! is a Channel 4 sitcom which ran from 1983 to 1985, created by the Black Theatre Co-operative. The show was written by Farrukh Dhondy and Mustapha Matura. 27 episodes were broadcast of the programme which focused on a family of Jamaican heritage, the Powells, living in a council house in Willesden Green, London. It was voted Britain's 100th best sitcom in a poll carried out by the BBC.

Set on the planet Arg, three time travellers are put to the test by the Argonds. To win safe passage back home, they must use logic and lateral thinking.

A mercenary takes on the job of tracking down a target on a plane but must protect that target when they're surrounded by people trying to kill both of them.

Hamlet, Prince of Denmark, returns home to find his father murdered and his mother now marrying the murderer... his uncle. Meanwhile, war is brewing.

Glendon Wasey is a fortune hunter looking for a fast track out of China. Gloria Tatlock is a missionary nurse seeking the curing powers of opium for her patients. Fate sets them on a hectic, exotic, and even romantic quest for stolen drugs. But they are up against every thug and smuggler in Shangai.

Marlene celebrates her new position as MD of Top Girls Appointment Agency by giving a dinner party for five oddly assorted women from centuries past.

The daughter of an international tycoon is kidnapped by a trio of abductors who seek to mold her to their lifestyle.

The girls of St Trinian's decide they are being asked to do too much work so they go on strike.

Beset by problems at home and abroad, a capricious king is forced to relinquish his ‘hollow crown’. As his supporters abandon him and his power trickles away, Richard reflects with startling eloquence on the disintegration of his status and identity. Adjoa Andoh and Lynette Linton direct the first ever company of women of colour in a Shakespeare play on a major UK stage, in a post-Empire reflection on what it means to be British in the light of the Windrush anniversary and as we leave the European Union.

Two women named Mary -- both recently sexually assaulted by the same man -- meet at the police station and enter into the world that victims of assault have to endure, guided by a police constable and his colleague. As the action unfolds, it is commented on by the Furies -- a chorus of murdered women seen and heard only by the viewer. Flashes of wit and humour temper a dark and difficult subject.

When a young soldier appears, his hope of escape comes with suspicion. And as an old enemy also emerges, he is faced with an even greater temptation: revenge.