Giorgos Kyritsis

On the morning of the World Cup final, Karamanos, an employee of the Greek Telecommunications Organization (TOE), connects his commander's personal computer to a devilishly complex and explosive device. He threatens to blow up the floor and the satellite dishes above if he is not allowed to appear on the national network 10 minutes before the football match to denounce all the wrongs that plague the lives of Greek citizens and make them victims of a partisan and corrupt state.

With a title that expresses the connection/disagreement of bios (βίος) = life, and graphi (γραφή) = writing, this film of Rentzis has as a subject “the passage from homo universalis to homo industrialis”. Based on a visual material provided by the collage book of the Basque Chumy Chúmez, the film forms, out of cultural deposits of the industrial era, a novative oneirographic discourse, through the audacious and unprecendeded claim of a combinatorial optimization of collage/montage techno-poetics. Viewing the body as historical ideotype ‘the sublime point of reference, a matrix and a refusal of all signs’, Rentzis, dissects the body of film, makes an inter-parody of historical utopias and certainties and moves between animation and expanded cinema in order to reflect on the broader social, political question of our social coexistence condition, the unity and rupture.

"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.

A provincial café owner, Mimis, abandons his village in Chalkidiki and comes to Athens in search of a better life. He pretends to be a tough guy, a know-it-all, and behaves like an “antisocial”. With the help of a friend of his from the army, Aristeidis, he tries to set up his own business. At the same time, he falls in love with a seamstress, Toula, who is the sister of Aristeidis’ wife. Then comes the wedding, the everyday obligations, and Mimis is forced, with great resentment, to work as a waiter to make ends meet. When he get fired, however, his relationship with Nitsa is put to the test.

A young man who grew up beneath the heavy shade of autocratic and avaricious mother, son Gregory, has lost initiative and the minimum footprint. The servility of his mother against his boss, which facilitates the solicitations of the latter to his sister, infuriates him. The fiancée, Soula, can not understand his sexual desires and his girlfriend, Julia, the only one that loves him really forced to abandon him. Gregory wonder with all this and rebels, but his rebellion brings him to the brink of madness. When you finally meet, forced to follow the commands of the mother and uncle ultraconservative so he marries the woman who suggest those.

An adulterous woman and her lover plot to murder her husband Kostas and make it look like a yachting accident. However, unknown to them, Kostas has hired a private detective to follow them and knows of their plans in advance. A deadly game of double-crossing begins and propels all three of them towards tragedy.

"4th century AD and a brilliant craftsman of Dionysus, Timothy, organizes a performance of Euripides' Bacchae, rousing the people against the emperor. Lazarus, the Cappadocian, is sent to suppress the rebellion and arrest the heretic. We are in the years of the total establishment of Christianity, in a climate full of sects, conspiracies, conflicts of power and personal ambitions, in the city of Antioch, which was the last cradle of the Greek education of the Gentiles."

The assassin of a prominent trade unionist takes a conservative MP hostage, throwing the government into a state of disarray.

Thalia, young, beautiful, and ambitious, arrives from abroad, where she studied theater, to pursue a career as an actress in Greece. She becomes involved with a young writer, Nikitas, a romantic idealist who disagrees with his beloved's ambitions and plans. Thalia is hired as the leading actress in a major theater company, co-starring with the popular actor Tasos Stergiou, and at the same time takes part in a television production. Nikitas gets involved with some anarchist groups, wanting to gather information to write a book about their ideology. His involvement proves fatal, because one night he finds himself in a clash between anarchists, which results in casualties. The police pursue him while he goes into hiding. Meanwhile, Thalia is on the road to success, while her anxiety about Nikitas' fate reaches its peak. On the big day of the premiere, which she had dreamed of so much, Nikitas arrives at her house in a terrible state, injured...

As a coincidental event unites a publisher and a hospital manager, sinister revelations entangle the couple with the aspiration of an editor-in-chief. Will he unearth the truth? After all, almost everybody has a skeleton in the closet.

Stratos, a marginal figure, carries on his shoulders the freedom and doubts of his generation. Upon leaving prison after serving a five-year sentence, he will seek out those responsible, demanding his share of a theft for which he paid the consequences. It is an extremely dangerous journey, and to reach his destination, he must pass through the dark circles of nighttime illegality. He encounters old "friends" who still want him as a pawn in their game, women with strange identities, and police officers who lead him into a relentless pursuit...

What was this woman? The tragic victim of the SS or the female executioner of the Hitler's camps? What was it all about? A satan or an angel? Why, in peacetime, the old nightmares come back and drift into this shocking adventure of love, hatred and action with an unexpected ending?

The story of Ioannis Zachos, a young psychopath who commits a murder in Athens.

In the fall of 1948, shortly before the end of the civil war in Greece, six young leftists traveled to Athens, boarded a plane to Thessaloniki, and forced the pilot to fly them to neighboring Yugoslavia, where they would seek political asylum along with other comrades. Their plan went off without a hitch and went down in history as the first hijacking ever.

Loxandra is a Greek mother and wife living the ordinary life of a well to-do Greek family in Constantinoupolis of the late 1800s-early 1900s, a world gone forever. Historical events intrude in the background -revolutions, palace coups, massacres, and the great upheavals of WW1 in which Greeks saw their wildest hopes fulfilled, then dashed: for a brief time Constantinoupolis itself was regained, then lost along with all Asia Minor. Through troubles great and small, Loxandra's simple optimism, belief in her Virgin Mary, and love of life carries her family past every difficulty - be it a sumptuous dinner for Easter or secretly giving away her savings to help persecuted Armenians. A representation of a time and place where all neighbors were friends, where they could cook in each other's kitchens or take shelter in each other's cellars.

Tormented by his memories, the writer Kostantis Manolopoulos takes stock of his life. Lost loves, old enmities, secret desires outline the Greece of the '50s, a Greece full of mothers, aunts, friends, enemies who share their lives in the neighborhoods, in the cafes and in the brothels. Among them, the writer's friend, Louis, tries to show him in every way that in this world, anything can happen...

A poisonous woman, Eva, approaches George with the intention of destroying him for some evil he had caused in the past. Along the way, she falls in love with him, but he has already discovered the deception she had initially set up for him and in turn tries to take revenge on her. A powerful game of revenge and hatred between the two heroes that in the end turns into a powerful passion and love.

Pavlos and Vlassis are two prisoners, who have been unjustly sentenced to death. When they are given an unexpected opportunity they decide to escape. Their attempt succeeds and with the handcuffs in their hands they disappear into the darkness. Pavlos decides to take revenge on the famous play-boy, Vasos Momferrato, husband of Sylvia, an old lover of his, because as he believes he is the man who wrongfully accused him of a murder.

Mikrografies is ERT lost tvseries