Átila Iório

For ten years, engineer Bill Markham has searched tirelessly for his son Tommy who disappeared from the edge of the Brazilian rainforest. Miraculously, he finds the boy living among the reclusive Amazon tribe who adopted him. And that's when Bill's adventure truly begins. For his son is now a grown tribesman who moves skillfully through this beautiful-but-dangerous terrain, fearful only of those who would exploit it. And as Bill attempts to "rescue" him from the savagery of the untamed jungle, Tommy challenges Bill's idea of true civilization and his notions about who needs rescuing.

Countryman J.K. gets annoyed and quits his job on a farm when his boss sends his pet cow to a slaughterhouse in town. In search of the animal, J.K. goes to the city and, there, is harassed by several single women.

A destitute family tries to escape the drought in the backlands of northeastern Brazil. Fabiano (Átila Iório), Sinhá Vitória (Maria Ribeiro), their two children and their dog Baleia wander aimlessly and almost hopelessly through the remote interior, surviving the forces of nature and the cruelty of men. An adaptation of the work by Graciliano Ramos.

A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.

The son of a millionaire who owns gold mines in Transopia, Africa, Antoine Leblanc, who lives in a mansion in Rio, one day receives a letter from his father asking him for help against the gold smugglers from Transopia to Brazil.

The Gerimum Trio arrives in Rio de Janeiro wanting to make it big in their artistic careers. They struggle with great difficulties and even sing in the street. The police pursue the three, who end up in the place they most want to be: a television studio. Mistaken for northeastern congressmen, they are taken to the TV director-general, Mr. Walter. Shortly after, Marly, the advertising star, and her secretary, Josias, enter. A heated argument ensues, but the situation is resolved when the real congressmen show up.

Marcelino, a country bumpkin, comes from the countryside to try his luck in Rio de Janeiro. His uncle Simão, a taxi driver and resident of a favela with Sofia, comes to greet him at the train station. A neighbor, Tereza, takes an interest in the newcomer. At the pier, the criminal Zé receives a package and is pursued by police. Mira Diler performs at the Caverna nightclub. In her dressing room, the criminal Zé is found, injured and without the package. Valentino complains about the police action that is disrupting his "business." Marcelino still hasn't found work; at the same time, he tries unsuccessfully to sell his compositions. He begins helping his uncle as a driver, but puts his own worries first: he goes to the nightclub looking for Mira, but finds himself caught up in Valentino's schemes.

Based on true events in Rio de Janeiro, in 1960, when a gang having the infamous outlaw Tião Medonho as a leader performed a sensational railroad hold-up on a train carrying a small fortune.

In 1913, in the state of Santa Catarina, Brazil, the Government gives some lands to a foreign railway company, giving rise to revolt by the former owners of the land. The episode became known as Guerra dos Pelados.

Renato and Miro are black brothers raised by a white family in an old mansion in Rio de Janeiro. Renato, a graduated lawyer, has always looked for dignity, winning in life due to his honesty and search for social recognition. His brother, on the contrary, is a rebel small time crook who believes his behavior is the product of the treatment he received while being rased by the whites.

A kind wanderer living around a circus, who also happens to work as a modern Robin Hood, must solve the mystery behind the kidnapping of a lost little girl he meets.

Brazilian intelligence agent finds and pursues Nazi war fugitives hiding in Brazil.

Unable to endure the idea that he would go without punishment, a criminal's victim chases him the length and breadth of Brazil for a showdown.

The lawyer Roberto leaves his career and his fiancée behind to chase the criminals who killed his entire family in a brutal massacre.

This story begins with Marcelo's funeral. His family, his fiancée Lúcia and three suspicious men are the only people accompanying the coffin. By night, at home, Rosa, Ricardo and Lúcia notice something strange: Marcelo's room has been completely ransacked. Suddenly, the phone rings. Rosa answers and hears the voice of her son who had just died. The shock is too strong for the poor lady, who dies of a syncope. To understand these sinister events, we have to go back three days...

British secret agent 007½ is sent to Rio de Janeiro to recover the plans stolen from a new metal alloy. His contact is a taxi driver, who ends up being murdered by enemy agents.

Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

Ambitious Nice seeks social advancement through Rodrigo Medeiros, but ends up truly falling in love with him. This is the second version of the telenovela, originally aired in 1976.

A poor young woman, unhappy with her inevitable destiny as a suburban housewife, gets a job as a nanny for a wealthy family and falls in love with her employer's brother, using every trick to win him over and ultimately become the lady of the mansion. .

Twin sisters with contrasting personalities, Ruth and Raquel, rival in the fictional Pontal D'Areia, on the coast of Rio de Janeiro.

Set in 19th-century Brazil during the waning years of slavery, Escrava Isaura tells the story of Isaura, a white-skinned enslaved woman raised with the manners and education of a noble lady. Though treated with affection by her mistress, Isaura remains legally enslaved and becomes the object of obsessive desire by Leôncio Almeida, the cruel heir to the plantation. After the death of her protector, Isaura falls under Leôncio’s control. Despite his attempts to seduce and dominate her, she resists, determined to preserve her dignity and freedom. Her father, Miguel, helps her escape to Recife, where she adopts a new identity and meets Álvaro, a wealthy and principled abolitionist who falls in love with her. Leôncio eventually tracks her down, leading to dramatic confrontations. In the end, Álvaro rescues Isaura by purchasing Leôncio’s debts, securing her freedom and affirming the story’s central themes of justice, love, and resistance against oppression.

Aníbal is a millionaire, knowing that he is going to die, invites a group of relatives and friends to stay at his luxury hotel. They are all linked to a mystery of their past. Some will be rewarded with inclusion in the will; others will be punished. To know who was his real friend and who harmed him, Aníbal starts to manipulate everyone, as if they were puppets.