Salvatore Ficarra

In 1920s Bagheria, Giuseppe 'Peppino' Torrenuova works as a shepherd to financially help his poor family. Over the next fifty years, Giuseppe's life, as well as the life of the village, is observed. Giuseppe grows up, joins the Communist Party, marries a local girl, has children, and forges a political career for himself.

A thief and a priest end up magically transported in the year 0's Palestine, where they'll have to make sure that the Nativity will follow its course.

1860. Giuseppe Garibaldi began from Quarto the adventure of the Thousand surrounded by the enthusiasm of the young idealists who had come from all regions of Italy, and with his loyal group of officers, among whom a new profile stands out. Having landed in Sicily, at Marsala, the Thousand begin fighting with the Bourbon army, whose numerical preponderance is immediately evident. Under these conditions, it appears almost impossible for the general to breach the enemy defense and penetrate Palermo. But when he is almost forced to retreat, Garibaldi devises an ingenious plan.

A small Sicilian town elects a new, honest major but quickly learns that playing by the rules is not as easy as it seems.

Two cousins haven't spoken for almost twenty years, thanks to the enmity that their fathers feel toward one another. But an accident suddenly brings the cousins back together and thrusts them deep into the heart of the mafia.

The life of a dying young man at the short age of only forty-one after playing the lead in Il postino. He was a brilliant stage actor before becoming an astonishing film director.

During a trip to Sicily in 1920, Luigi Pirandello meets two gravediggers-turned-playwrights rehearsing a play with their amateur dramatics. Pirandello takes an interest in the odd couple, having been suffering from writer's block while working on his eventual masterpiece, Six Characters in Search of an Author.

Salvo and Valentino are two Sicilian friends who have moved to Turin, and now run a small business together. They drive foreign tourists around in a double-decker bus, and Salvo always tries to approach the pretty girls.

Aspiring thespians Aldo, Giovanni and Giacomo work dead-end jobs while nurturing their dream production of Cyrano de Bergerac, until love for the same woman tears their friendship apart. Three years later, Giovanni and Giacomo reunite after learning that Aldo is dying.

Anna and Piero fighting routine of a long marriage, when Piero loses his memory, Anna reconstructs his way. For its part, the concierge Rocco and his friend Michele play in a group that emulates the Beatles and face opposition from their partners. Finally, Marcello and Paola are a divorced couple who, from time to time, pretend they are still together to avoid problems. They are victims of a relentless war of sexes.

Old and forgotten, comedian Aldo is brought by his sons into a nursing home called Reuma Park where he finds his old friends and partners Giovanni and Giacomo.

Salvo and Valentino are two happy Sicilian friends, who do not want to work, because they know that if they find a permanent job, their girlfriends will ask them to marry them.

This film tells the story of three defeats: Berlusconi’s political and human defeat in his “twilight”, the one of Ciccio Mirra, Berlusconi’s unconditional supporter, deeply rooted in an ancient culture that dies hard, and the director’s artistic defeat in an Italy that recognised itself in this “Berlusconian culture” for a long time, and probably still does.

6th January 1975, in an infant nursery in Palermo (Italy), for a mysterious reason, a male nurse exchanges the labels of baby number 7 and 8. Thirty-one years later Tommaso (7) and Daniele (8) meet each other by accident.

The life and artistic journey of Neapolitan actor Massimo Troisi.

In paradise, a group gathers to discuss why people still act selfishly, even though Jesus sacrificed himself for them 2,000 years ago. As a result, a new Messiah is sent to Earth to address the issue.

Valentino and Salvo, unemployed and in search of fortune and recommendation, leave Palermo for Valentino’s home town, Monteforte, where they will try to survive the Italian crisis by opening some sort of hospice.

The Ultras are not ordinary spectators of a football match, but fans who live in a territory sacred to them: the Curva. A sort of non-place that takes the concept of social stratification and subverts it for ninety minutes: the doctor is next to the worker, the craftsman shoulder to shoulder with the lawyer or the “VIP” fan. There are those who struggle to find an identity in everyday life and those who, despite having one, want to lose it at least for the duration of a match. On those steps they are all the same, all brothers, and together they become an autonomous entity within the stadium. For them that sense of belonging is a legacy passed down from generation to generation, from father to son.

In 1821 Los Angeles, twenty years after retiring from being Zorro, Don Diego de la Vega, married to Doña Gabriella, succeeds his father Don Alejandro as the town mayor. He quickly realizes that some injustices can only be fought by bringing back Zorro, so with the help of his trusted mute manservant Bernardo, Don Diego once again dons the cape and the mask.

After two hapless TV technicians stumble upon a murder scene, every step they take to avoid becoming suspects lands them in deeper trouble.

With Christmas around the corner, two blundering Sicilian friends working in Milan discover a dumpster that transports them to their families in seconds.