Yves Desgagnés

Each day, Jean-Philippe Wauthier welcomes guests on the show in warm, friendly setting. His interviews focus on their newsworthy achievements but also, and most importantly, on their passions, interests and opinions.

This daily quiz show puts strategy front and centre, as five celebrities answer general-knowledge questions to win money for their favourite charity. But here’s the catch: one of the five participants is cheating, because they’re secretly being fed the answers. The cheater’s mission is to play it smart so they can fool the other players and win the game without getting caught.

In this daily game show hosted Pierre Hébert, two contestants and the studio audience are asked to answer offbeat questions that play on people’s preconceived ideas and perceptions about four guest stars on the set.

A variety show with a twist: a celebrity guest get to attend their own memorial service – an entertaining send-off filled with eulogies and some gentle ribbing.

Joined by contributors, and with a different guest each week, Marie-Louise Arsenault hosts this magazine that highlights the week’s top stories, casting a critical eye on the national and international media and the images that surround us in journalism, advertising and social networks.

A dance-off where stars learn, prepare and present dance routines that they must show to a select panel of judges.

Un gars, une fille is the title of a Quebec comedy television series created by Guy A. Lepage and broadcast on Radio-Canada, as well as the title of its French adaptation on France 2. It is one of the most successful Quebec television shows, with a concept exported to more than thirty markets around the world. It is the first Québécois television program to be adapted in the United States.

Dramatic reenactments of major Quebec trials.

Simon is a young man in his thirties who relies on dating apps to find the man of his life. His quest takes him to the four corners of Montreal, and each time, he loses a piece of his dignity.

In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.

Louis Jobin is an ordinary young man from Montreal who sells televisions at an electronics store. He wins a contest sponsored by the local cable company in which the first prize is that he'll be followed non-stop by a camera crew, with the footage broadcast live on Channel 19. Unfortunately, his ordinary life is so ordinary, despite the best efforts of his starstruck mother, that the producers attempt to spice things up behind his back.

Juliette, 15, is the only child of an eminent judge and has had the best of education in the best of schools. Her father is in the limelight because he’s been chosen to preside over one of the most important trials of the past 10 years: the case of Réal Lamontagne, a notorious criminal accused of killing a child. Roméo, 17, is the son of the accused. Even though they come from diametrically opposed universes, Juliette and Roméo fall for each other.

"Why is the strange Mr. Zolock so interested in comics?" is a Canadian docufiction film, released in 1983. A documentary about comic books and graphic novels, the film features interviews with comics illustrators wrapped by a fictional frame story in which Monsieur Zolock (Jean-Louis Millette), an evil supervillain, hires private investigator Dieudonné (Michel Rivard) to investigate the cultural influence of comics as part of his plot to take over the world. The film won the Genie Award for Best Feature Length Documentary at the 5th Genie Awards in 1984.

Four young women are participating on Idole Instantanée, a reality show produced by Omni Global, in which a complete stranger turns into a music star in just 24 hours.

A government ministry's fast-rising head of security asks a shadowy fixer, Meursault, to steal a bag from an armored truck. Meursault goes to Théo, a former night club owner, in prison for two years on false charges, who's being released in exchange for information about Montreal's underworld. Théo agrees to steal the bag for money and safe passage to the US for himself and his son Robin. Théo brings in two helpers, Gilder, ex-con and set designer, and Roxanne, Gilder's friend, a tough-minded petty thief. Their elaborate plan blows up when a guard, Marcel, takes his responsibilities too seriously. What happens to father and son? Will any of the thieves escape?

This feature-length documentary follows actor Jean-Louis Millette as he travels to Italy to present the play The Dragonfly of Chicoutimi, in which he plays the lead role. Director Jean-Claude Coulbois attempts to unravel the mystery of this protected, hard-to-reach area, which he calls the "actor's territory," where life and theater intertwine and interact.

Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.

An aging father and son take off for South America in search of their winning lottery ticket.

A bum named Richard (Yves Desgagnés) is like many others, apart he always carries a red suitcase with him everywhere he goes, from which a curled wire is attached to his chest. This is very intriguing to young runaway Christian (Guillaume Lemay-Thivierge), who finds refuge at Christian's place.