Gisèle Braunberger
Actor · b. 1935 · Paris, France
Gisèle Braunberger was born on 2 August 1935 in Paris, France. She is an actress and production manager, known for Madame de la Carlière ou Sur l'inconséquence du jugement public de nos actions particulières (1988), En attendant l'auto... (1970) and Astragal (1968). She was previously married to.
Movies7
Movie7.7DramaTwelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
Movie4.9CrimeDramaWhile escaping from prison to be with her lesbian friend, a 19-year-old girl breaks her ankle and is picked up by an ex-con, with whom she begins a passionate affair. She finally turns to prostitution and robbery to support herself.
Movie7.0DocumentaryA example of Jean Renoir's talents as a director as he works Gisèle Braunberger into the right frame of mind.
Movie5.8ComedyOlivier and Françoise, newlyweds, have Chantal at their service, whose main function is to pretend to be his boss, while she takes care of the housework. But Olivier is suddenly tempted by an extramarital affair with a young Italian woman, Frédérique. Pretending a business trip, he sends his wife and maid to their respective mothers, intending to bring Frédérique to his home...
La Difficulté d'être infidèle
1964 · 6 votes
Movie5.2CrimeDramaMichel Jussieu, a film producer, returns one morning to the cabaret where he forgot his sweater. He discovers the corpse of an extreme right-wing journalist, but immediately he is knocked out. He wakes up in the police station ...
- Movie8.0Drama
Thomas is a young man who rebels against society after witnessing his father's suicide. He embarks on a marginal and increasingly violent existence with Malvina, a woman he meets, as they attempt to escape societal pressures. Their journey ultimately leads to their internment in a mental asylum, a bleak outcome reflecting their futile struggle for individual freedom.
La Fin des Pyrénées
1970 · 1 votes
- Movie10.0
A young man in a cafe is attracted to a girl sitting at another table. He would like very much to approach her but he is very very shy. So, in Walter Mitty's style, he takes refuge in his fantasies, in which he finds it easy to be seductive, saving his lady from every possible and imaginable danger. The trouble is that those who win in their dreams often lose in real life. Except that at times real life surpasses imagination.