Tove Maës

A young Danish girl seduces everything in sight after daddy refuses her naughty come-ons. She'll have a lesbian affair with her teacher, pretend that her teenage boyfriend is dear old dad and finally get to her stepmother.

She loves to ride in the bus and read smart book ... He likes to sit by the water and drink soda ... She loves to write down their thoughts on the fly and be glad that they do not end ... He likes to watch as boats come and invent passengers biography ... She loves ice cream and menthol cigarettes ... And he - horses and storefronts ... She had to roam the streets at night, even if you do not want to ... he loves the city nightlife, which helps him to dream ... and one day ... quite by accident ... They meet ... hE and SHE ...

FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...

A middle aged married woman suffers from depression. Her husband suggests she get a dog, but instead she gets a job. Treatment of the women workers leads her into a hilarious fantasy in which roles are reversed and bearded men sit behind typewriters worrying about their looks and what to buy for dinner. She gets involved in a strike and loses her job, but has found some friends and a more positive attitude to life.

After librarian Isolde attempts suicide, she leaves her politician husband for a younger student with a dark past. Isolde's former husband, however, has something else in mind for the young man.

Based on a true story from the fateful day of August 29, 1943, when the Germans disarmed the Danish army and navy. The minesweeper MS 1 plays the leading role in the film about the ship that refused to surrender. The commander, Captain U.H. Gad, camouflaged the boat as a tugboat under the name 'Sorte Shara'. With Sweden as its destination, the boat set sail and experienced hours of excitement as it approached the German observation posts.

The story concerns the sexual awakening of a young woman who is the daughter of a socially conservative and religious Danish couple.

A dramatized account of Denmark's first women's rights activist, Mathilde Fibiger. Based on letters and diaries, it depicts her life and views from the 1850s, when she published the controversial epistolary novel Clara Raphael, until 1872, when she died at the age of only 41.

Beatrice abandons her husband Peter because he is impotent in their sex life, instead she travels to paris with her lover Isac. Meanwhile Peter stays with his friend Ole where he becomes an object of erotic desire of both Ole's wife and daughter.

A young, idealistic business student has ambitions to be a concert pianist, but his obsession with beautiful women keeps him from achieving his goal. To earn money for his tuition, he takes a job as headmaster of a small girls' school. There his weakness for beautiful women is put to the test when he is pursued by a bevy of sexy coeds.

A documentary filmmaker returns to his hometown and buys a photo shop. He earns his living as a wedding photographer, but his personal life is in disarray.

Bettina Eriksen, manager of her Uncle Teodor's nursing home, is being framed for murder. With the help of 2 older ladies, Bettina sets out to find out the murderer's identity and motive.

The mysterious Mr. Steinmetz has acquired the ability to create things and beings by will alone. Only, after a while his creations invariably disappear. He therefore approaches a famous brain surgeon, Max Holst, who he hopes can help him with this problem. When Max refuses, Steinmetz brings his doppelgänger into being to replace him.

Directed by Danish filmmakers Bjarne and Astrid Henning-Jensen, THOSE BLASTED KIDS tells a story of a group of back-alley urchins that is considered Denmark’s first true children’s film.

The life and times of the Scandinavian artists' colony who lived in Skagen on the Danish coast during the 1890s. Not so much a biographical account, rather a portrait of a way of life. The painters became famous for the way they used the light in their work, and this has also been mirrored in the cinematography.

In the early 17th century, the tyrannical parish priest in Vejlby, Søren Jensen Quist, tries to force his daughter Maren into a lucrative marriage with the wealthy farmer Mikkel Ibsen. However, Maren prefers the bailiff. When Mikkel feels that both the bailiff and the priest are encroaching on his power, he arranges for the priest to be convicted and executed for the murder of Mikkel's brother, Nils Ibsen.

Liv is a frankly sexual being. She finds herself in a series of sexual relationships with men who, she says, fall too much in love with her and become oppressive. Finally she meets a man who is very much like her, but that brings its own problems.

Ditte is born out of wedlock and lives as a young girl with her old beloved grandmother. As an illegitimate child she is teased in school and more than anything in the world she wants a father. When steady - utterly reliable - herring dealer Lars Petter shows up and tells her that he is marrying Ditte's mother, the little girl is very happy. Now Ditte must take care of three new sisters and brothers but gets nothing but complaints from her ungrateful, selfish mother. But the little girl finds consolation and support in both her sisters and brothers and Lars Petter.

In a future surveillance and treatment society where imaginative literature is censored, author Adam Gregor lives an unhappy life. During an argument with his wife, who is prone to conformity, he pushes her over the staircase landing and now believes he has killed her. However, society does not operate with the concept of guilt, and Adam cannot be convicted of murder, but is released after psychiatric treatment. He tries to get in touch with his young son, but encounters a friendly but determined power structure. At the same time, he is monitored by the authorities, who hope he will contact his oppositionist publisher.

Charming con artist Victor "Viffer" Hansen and his friend Richard Abelsteen pull off a million-dollar scam in Sweden. Disguised as Swedish diplomats representing the royal family, they swindle Italian businessman Vittorio Fercci out of 10 million Swedish kronor by arranging a marriage between the king and Vittorio's daughter Marcellina.

The protagonist is a jovial bus driver, well beloved by his passengers, essentially the whole community around him. The bus, however, is old, and needs to be replaced. The bus driver himself is also needed as a handyman for all the people around him, assisting with stray cattle, household machines, children's homework, errands of all kinds, and at one occasion, assisting birth. Progress is however leaving him behind, and the local county council plots on a solution, involving a new bus and driver. The community revolts, and the local midwife (married to the mayor) intervenes with all the locals to keep the bus driver, who ends up keeping his job in a new bus.

Karl Åge and Regitze host a summer garden party for close friends, their son, and his family. Karl Åge is quiet, detached; Regitze is spirited, lively. He thinks back: love at first sight during the war, living together unmarried, her mother's hunger strike when they won't baptize their son. Regitze is passionate and forthright; she speaks her mind. He remembers her inviting a derelict for Christmas dinner, and the man shows up with five bashful friends. He recalls her taking on their son's teacher when the man slaps the lad. He remembers her love of dancing and his fear that his social clumsiness might end their relationship. Now, in twilight, he has other things to face.

The Kingdom is the most technologically advanced hospital in Denmark, a gleaming bastion of medical science. A rash of uncanny occurrences, however, begins to weaken the staff's faith in science – a phantom ambulance pulls in every night, but disappears; voices echo in the elevator shaft; and a pregnant doctor's fetus seems to be developing much faster than is natural.

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.

Following a old Circus artist now having a circus school and his family, a great entertaining series typical for Danish TV in the beginning to mid eighties.