Jean Gabin

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

An ambitious mobster plans an elaborate diamond heist while seducing the daughter-in-law of a ruthless mob patriarch as a determined police commissioner closes in on all of them.

An art dealer wants to buy a Modigliani, which is tattooed on the back of an old soldier.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

The film follows the life of Napoleon from his early life in Corsica to his death at Saint Helena. The film is notable for its use of location shooting for numerous scenes, especially at the French estates of Malmaison and Fontainebleau, the Palace of Versailles, and sites of Napoleonic battles including Austerlitz and Waterloo.

On his wedding night with Hilda Bergmann, the daughter of a swedish chemist, the young and rich american Willy Keanton is stabbed by an unidentified masked man. He kidnaps the young woman, who is found later on by the count Robert d'Arbel. The detective Jacques Miral, nicknamed « the pointed tower's ferret » is put in charge of the case. Soon, he discovers that an international bandit, Méphisto, seeks to seize the formula of a process against asphyxiating gas, invented by professor Bergmann. The struggle is tough between Miral and the uncatchable Méphisto. Monique Aubray, Keanton's secretary and engaged to the detective, the Nostradamus stallholders and the « mastiff of Bordeaux », and the famous novelist Fortuné Bidon are also involved in the case...

Down a foggy, desolate road to the port city of Le Havre travels Jean, an army deserter looking for another chance to make good on life. Fate, however, has a different plan for him, as acts of both revenge and kindness render him front-page news.

A former bank robber is released after 10 years in prison. He gets help from a social-worker, but gets harassed by an old cop from his past.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Two unlikely companions must smuggle four suitcases filled with contraband pork across Nazi-occupied Paris.

Annabella, Jean Gabin and Fernand Gravey star as a trio of circus trapeze artists. Both Gabin and Gravey love Annabella, but she has eyes only for Gravey. Seething with jealousy, Gabin plots revenge against his rival. He "accidentally" drops Gravey into a net during rehearsal -- but does he plan to do the same during a performance, when the trio works without a net?

During World War II, an innkeeper vows to abstain from alcohol for the sake of his family. Years later, as they thrive in Normandy, his resolve is tested by a charming advertising professional who loves to drink.

Six months before his retirement from the criminal police, inspector Joss finds his colleague Gouvion dead, in a poorly faked suicide attempt. Joss loses his temper, and investigates on his own, which leads him through the bas-fond of Paris...

Gentleman gangster Max and his partner, Riton, pull off their last, most successful heist and find themselves comfortable enough to retire in the style they enjoy. However, Max confides the details of the theft to his younger mistress, Josey -- who has secretly taken up with ambitious young rival gangster Angelo. Angelo then has Riton kidnapped and demands the stash of gold as ransom, which threatens Max's dreams of the perfect retirement.

Police Commissioner Jules Maigret returns to the small village where he spent his childhood at the request of the Countess of Saint-Fiacre, who has received a disturbing anonymous letter.

"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from Paris to organize a new job. He says no. But when he finds out the the currency that should be counterfeited is the Dutch florin, he accepts immediately. He retired after having counterfeited 100 florin notes just before the Queen Wilhelmina retired them from circulation. He flies to Paris. But the gang is not to be trusted, at least not all of them.

Charles, fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cell mate, Francis, to assist him in pulling off one final score, a carefully planned assault on the vault of a Cannes casino.

Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy preceding him, he sets himself to the task of knowing why the French operations were not so profitable - and soon he is master of all links of the organization. He can now get it honed to perfection - or destroy it. Only... the Police are following his every step.

Three stories about pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Madame Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falls in love with his model - pleasure and death.

Bum Archimède wants to spend the winter in prison, but to get there proves not to be that easy.

An American talks a retired French crook into robbing a bank, but kidnappers demand the loot as ransom.

Gangsters from the United States try to kill a key government witness whose testimony could help land an influential mobster in jail. It's up to detective Maigret to deal with the FBI and a series of underworld figures to save the life of the witness...

In Paris, a gold smuggler is at war with other local gangsters who want piece of the action. Then the mob shows up and makes things worse. And an undercover US Treasury Department agent is trying to infiltrate the smuggling business.

Leading lawyer Andre Gobillot takes the case of Yvette, a young criminal. As he works on her defence, an unexpected romance blooms between them, only to be cut short by a tragedy.

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

The César Awards are cinematographic awards created in 1976 and presented annually in Paris to professionals of the 7th art in various categories to recognize the best French productions. They are often cited as the French equivalent of the Oscars in the United States.

V.I.P.-Schaukel is a 45 minute documentary-family-news-talk show starring Margret Dünser as Host. The series premiered on Sun May 09, 1971 on ZDF and Folge 37 - Final Show last aired on Fri May 09, 1980.

Produced for television by Claude-Jean Philippe, the « Encyclopédie audiovisuelle du cinéma », recounts the history of French cinema from its birth to the beginning of the 1960s. With commentary read by Jean Rochefort.