Jiřina Třebická

When Ethan Hunt, the leader of a crack espionage team whose perilous operation has gone awry with no explanation, discovers that a mole has penetrated the CIA, he's surprised to learn that he's the prime suspect. To clear his name, Hunt now must ferret out the real double agent and, in the process, even the score.

In post-WWII Communist Czechoslovakia, several characters considered bourgeois are sentenced to work in a junkyard for rehabilitation. Among them is a young man who pines for a female convict.

The actress, who is starring in a successful theatre production, is offered a big film role by an Italian director. She decides to leave her current certainties behind and throw herself into the whirlwind of a tempting opportunity, only she doesn't count on the fact that not every expectation will actually come true as she had ideally hoped...

Set in Prague during the years leading up to World War II, this family saga tells the story of a cobbler named Vincenc Bursik (Vladimir Mensik), who uproots his clan from the country to the city, only to suffer the loss of his wife and the failure of his shoe business within months. When his daughter moves away to go live with a wealthy businessman as his mistress, Vincenc is left to take care of his two sons, who spend their days in a secret garden vying for the affections of a teenage girl.

Engineer Jan Sebek (Jan Kacer) is undergoing treatment in a mental home after his unsuccessful attempt to commit suicide. His therapist, via discussions both with the patient and with people who know him, tries to find out what made the young and seemingly satisfied man decide to end his own life. Jan's pretty wife Jana (Jana Brejchová) claims not to know about anything but she is conducting an affair with a family friend, almost publicly and with the blessing of her parents.

Set over a two-decade period in a tiny Central European village, this drama not only chronicles a couple's tragic star-crossed love, it also serves as a metaphor for the tragedy of lost traditions. After opening in the snowy wilds as two people spectacularly die, the story jumps back 20 years as young Verona prepares to marry. Unfortunately, voracious wolves descend upon the ceremony and all but Verona and her courageous 10-year-old brother-in-law Goran, who saves her, perish. That day, Verona gives birth to Veronika and promptly betroths her daughter to the heroic Goran. A decade passes and on Veronika's 10th birthday, her engagement to Goran is formally announced at a big party. Festivities halt when a troupe of female circus performers and their sly employer Madina show up. Veronika soon finds herself more interested in Madina's young son Michal than she is in the adult Goran. Meanwhile, the worldly Madina attempts to adjust to life in an old-fashioned village.

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

Two brothers live with their mother in an old house on the outskirts of town. They both work in a printing house. Elder Bóža is a quiet, responsible person with views determined by the Christian faith. Dan is a dude who revels in pub fun. Only after the tragic death of a person, he begins to understand that something is missing in his life.

Jindrich Polák's modern fairy tale comedy tells the story of a girl who unexpectedly inherits a fairground amusement - a haunted house from Vienna's Prater fun park. With the help of a magic timepiece she is able to bring three of the ghosts to life.

An evil and calculating stepmother chases her stepson out of the house. Petr tries in vain to find a job, but he is sent to hell everywhere. So he goes to serve in hell. As you will see, he could not have done anything better.

The film is a concert of well-known actors from an alcohol rehab where a middle-aged man has taken refuge to get rid of his addiction. In the rehab, cruelty is personified by the attendant who, with sadistic satisfaction, hands out demerit points for the slightest sign of displeasure or rebellion.

Wartime events from a child's perspective were a popular theme during the previous regime - here it is a twelve-year-old village boy who experiences dangerous situations with retreating Nazi troops in picturesque South Bohemia... Any attempt to achieve a more believable depiction is destroyed by the staging's grandeur, and in the end the result is an awkward piece, suitable at most for celebrating the relevant national holidays. A longer copy with a tragic ending is stored in the NFA. Milda is shot unnoticed by an SS major.

This story from the time of the occupation tells how the students of the teachers' institute decided to hold a traditional ball despite the ban. However, they had to cope with conditions more than threatening: the presence of Nazi thugs who intend to execute captured partisans as a warning...

Zdeněk Zaoral began filming this film in semi-amateur conditions, but it was eventually completed in a Zlín studio and released in cinemas. At its time, in the second half of the 1980s, it was the first completely open and also unusually raw statement about the course and consequences of drug addiction. The story of an eighteen-year-old girl who tries to escape her habit shows documentary values ​​- both in the staging and in the speech of the individual characters, in the authenticity of the drug-addicted environment.

Young script-writer Frantisek (Petr Cepek) is hired to write a film script based on the successful novel Looking Back. He meets with the novel's female author, a University professor and writer named Olga Machová (Jirina Trebická), approximately ten-years-older than him. In the beginning, they do not understand each other at all. Frantisek is a skeptic experiencing a moral crisis, unsatisfied with both his work and his private life - he lives separated from his wife and has no deeper feelings for his numerous lovers. He even gets drunk from time to time and breaks the public peace. Olga is lonesome, too, but considers her life fulfilled.

In modern hospitals are carried out intensive cardiac surgery. Daily operations individually comments attendant Cajthaml ... Stylized ,, dream "scene are combined with documentary footage of actual operations, which were filmed at the University Hospital in Hradec Králové. The unique cinematic experiment theater and TV director after only a few years remind viewers.

Little kids, little worries, big kids, big worries, sighs many a parent often. This is no different for the mother of eighteen-year-old Frantisek, who has just graduated from high school without much glory and is about to start his first job. Fandy is still full of boyish dreams, yearns for a career as a rowing representative, competes with a friend for the favor of an admiring girl and is generally stubbornly opposed to taking life seriously.

Story of a high-schooler who fails to gain a place at university and necessarily finds herself having to take a job behind the counter at a buffet.

Oligophrenic Fany (Bohdalová) lives with her aunt who suddenly manages to travel abroad. Fany has to move to her sister (Jirásková). Two very different women, one mentally disabled and the second one intelligent doctor has to live together and learn from each other about tolerance, loneliness, life and why call dogs "Mister".

Lying in the construction industry used to be a criminal offence, but skilful people could do a lot of things. This somewhat embarrassing tragicomedy convinces us that even builders should be honest. The protagonist here is a moral designer who occasionally drops in to sing to enjoy something other than work.

A story of a little girl Verka and her life during the beginning of WWII. Based on Vera Sládková novels.