Ian MacKaye

Follows the story of the groundbreaking Texas-based art-punk band founded by frontman Gibby Haynes and guitarist Paul Leary.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.

The life and career of rock n' roll icon Joan Jett from her early years ripping it up onstage as the founder and backbone of hard-rock legends The Runaways, to her long time collaboration with Kenny Laguna as Joan Jett & the Blackhearts, and her enduring presence in pop culture as a rock pioneer and mentor. With her inimitable singles "I Love Rock n Roll," and "Bad Reputation" Joan Jett inspired a generation of young women to rock.

Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.

Turn It Around: The Story of East Bay Punk spans over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of the inspiring 924 Gilman Street collective. This diverse group of artists, writers, organizers and musicians created a do-it-yourself petri dish that changed the punk scene... and the world at large.

Breadcrumb Trail focuses on Slint's seminal album, Spiderland, and the Louisville music scene from which the band originated.

When six teenage boys came together as a skateboarding team in the 1980s, they reinvented not only their chosen sport but themselves too – as they evolved from insecure outsiders to the most influential athletes in the field.

"Salad Days: A Decade of Punk in Washington, DC (1980-90)" examines the early DIY punk scene in the Nation's Capital. It was a decade when seminal bands like Bad Brains, Minor Threat, Government Issue, Scream, Void, Faith, Rites of Spring, Marginal Man, Fugazi, and others released their own records and booked their own shows-without major record label constraints or mainstream media scrutiny. Contextually, it was a cultural watershed that predated the alternative music explosion of the 1990s (and the industry's subsequent implosion). Thirty years later, DC's original DIY punk spirit serves as a reminder of the hopefulness of youth, the power of community and the strength of conviction.

In the mid-1980s outside this college town, home of the Kansas Jayhawks, punk rock history was being made in the middle of a cornfield. Where the pavement turned to gravel, in a small, primitive cinder block building, bands like Fugazi, the Melvins, Rollins Band, Gwar, the Circle Jerks, Body Count, Social Distortion, Bad Brains, White Zombie, Descendents, Sonic Youth, Green Day, Fishbone, the Meat Puppets, Helmet, and Nirvana played to all-ages crowds, a raucous scene of misfits and anarchists on the margins of youth culture. This was The Outhouse. Small, dark and sometimes dangerous, it quickly gained a reputation as a haven for the bands other venues were afraid of, and the kids who loved them.

Through an oral history format of in-depth interviews and archival footage, RIOT ON THE DANCE FLOOR bring to life the gritty story of City Gardens, one of New Jersey’s most infamous clubs and its larger than life promoter, Randy Now. Featuring the stark and iconic photography of Thrasher Magazine’s Ken Salerno, the film chronicles the rise of several different music scenes in a venue for underground music that traversed the entertainment spectrum; from the comedy of Henny Youngman to Nine Inch Nails, New Order to Nirvana. It is the story of musical champions, underdogs and how hoards of misfit kids found an unlikely home and above all, the freedom and liberation of having complete creative control. - IFF Boston

The stories of some of the biggest artists in music, recalling the romance and adventure, as well as the idiocy and chaos, of their time on the road. While the world has changed, the custom has not changed. There is no other way to know whether you can make it in this business. You have to get in the van.

The ongoing relationship between the worlds of punk rock and animal rights and how the music became a breeding ground for vegan activism.

A feature-length documentary chronicling early '80s punk rock band the Minutemen, from their beginnings in San Pedro, California, to their demise after the death of singer D. Boon in 1985.

The true story of punks, queers, & criminals on a ride with two men who accidentally changed music along the way.

A real time journey witnessing the rise, fall, and ultimate redemption of the fierce feminist pioneers of American grunge punk: L7.

These days, there’s a lot of talk about outsiders in politics, but very few people can claim outsider status like Joe Keithley, punk legend turned a dedicated environmentalist and city councilor. Something Better Change follows Keithley’s absolutely fascinating life and career, showing us both his time as the front man of the formative hardcore punk band D.O.A., as well as his campaigns for city council as a Green Party candidate in his hometown of Burnaby, British Columbia. Featuring interviews with other punk luminaries like Jello Biafra and Ian MacKaye, as well as an appearance from Beto O’Rourke, whether you’re a hardcore punk fan or just a civically engaged citizen, Creem: America's Only Rock 'n' Roll Magazine director Scott Crawford’s latest film has a little something for everyone. – Daniel Abelow

Bad Brains are one of the most important and influential American bands still working today. They melded punk and reggae into an innovative style that has yet to be copied. Their impact and influence can be heard in groups like Beastie Boys, No Doubt, Nirvana, Jane's Addiction and countless more. Despite the troubles of an eccentric front man they have stayed together for 30 years without ever reaching the level of success so many think they deserve. Using rare archival footage and original comic illustrations the film re-constructs Bad Brains' rich and complicated history.

The function of both popular and underground music in contemporary culture has long been a point of inquiry for Graham in his analyses of the social implications of cultural phenomena. Here he documents Minor Threat, a "hardcore" band from Washington D.C., in a performance at CBGB in New York. Distinguished from punk music in that it developed in suburban areas, hardcore, as typified here by Minor Threat, is seen by Graham as a tribal rite, a catalyst for the violence and frustration of its predominantly male, teenage audience. The raw quality of Graham's documentary style mirrors the crude energy of his young subjects and the hardcore subculture of the 1980s.

Featuring original interviews with America’s punk pioneers and the U.K.’s most notorious bands, alongside a seamless blend of rare and unseen photos, gritty archival film and video, a crackling soundtrack of punk hits and misses, this documentary series explores the music, the fashion, the art and the DIY attitude of a subculture of self-described misfits and outcasts.