Drica Moraes

The daily lives of a typical Brazilian middle-class family, that are always very close and tries, in their way, to survive the financial and relationship difficulties.

A young woman is fated to relive the love of an earlier life. Separated by time, young Serena and botanist Rafael surmount all obstacles as they live a love that is stronger than fate itself. These challenges include the lovely but ambitious Cristina, who is obsessed by the rich botanist and driven nearly mad by her attempts to shatter their great love. A romantic comedy set in the 1940s, Soul Mate underscores the importance of love, family values and the ties of affection with a light touch and plenty of humor.

In this realistic and touching series told in an innovative format, seemingly independent plots intertwine to show how justice can sometimes be a personal matter.

A traffic accident causes four women's destinies to intertwine. In the series, the four enter a pact of revenge against the men who hit them and caused them to suffer. Auxiliadora struggled to help her husband Alcebíades prosper, but when he leaves her for a younger woman, is thrown out of the house. The shy Tatiana was engaged to Fortunato, who failed to show up at their wedding. The Babalu hurricane caught mechanic Raí in bed with another woman. Abigail, a preppy psychologist who is struggling in a failing marriage, decides superficially to continue it but revolts against her husband, Gustavo, who humiliates her in public at a congress. Gustavo has custody of Ângela, a girl who longs to know her true father, Bruno. Her mother died in the childbirth, traumatizing him.

Inside a chaotic emergency room in Rio de Janeiro, a team of doctors are torn between their internal personal conflicts, the difficulties of the profession and the surprising dramas behind each patient‘s history, in a heroic attempt to save lives...See more

Ana Francisca is a poor and ugly girl who, after being humiliated by the entire town, becomes a beautiful, stylish and rich woman who wants revenge. During this trajectory, this romantic comedy also shows the true love of Ana Francisca and Danilo that survives throughout the years, the distance and the traps of destiny. They will be part of a love triangle with Olga, a snobbish girl who is going to do anything to steal Danilo from Ana Francisca.

A spoiled feminist, daughter of a rich father, even though she doesn't admit it, falls in love with a rustic farmer whom she marries.

Maria Eduarda "Duda" Pinheiro is a successful top model. After being hired to model Covery brand clothes, she meets the Kundera brothers, Alex and Gaspar, owners of the company. Gaspar, a former beatnik, is over 40 but still practices surfing, lives in a beach-side house and raises five children: Elvis (named after Elvis Presley), Ringo (Starr), Jane (Fonda), Olívia (Newton-John) and (John) Lennon, all from different mothers who left them with him. Anastácia "Naná" Passos, Duda's friend and mentor, loves him platonically, and rivalizes with Mariza Borges over him. Alex by contrast is a yuppie. He and their mother Morgana have a love-hate relationship and rivalry with his brother over Morgana's attention and the company. Alex begins to love Duda, however she falls in love with Lucas, a graffiti artist who is on the run from the São Paulo police due to his involvement in a crime there. He is also searching for his real father, and thinks it's either Alex or Gaspar.

Fashion designer Andréa Vargas finds out the hard way she is adopted. The relationship with her sister Júlia had always been difficult, since childhood, and the antagonism grew when Júlia came between Andréa and her first true love, Diogo. But the worst is still to come: her first assistant in her atelier, Selma, is having an affair with her husband Bruno.

The determined Genuína dreams of the return of Diego, the father of her children Rodrigo and Mercedes, who reject their mother's origins. Diego reappears with a different identity and changes Genu's destiny.

Heartbreak forever changed the fate of the young and humble José Alfredo. Years later, he became the Lord Alfredo, a successful owner of a jewelry empire and a man obsessed with power. Temperamental and cunning, he tries to balance his turbulent marriage, an extramarital love affair, and the dispute between his children over succession in his business. One day, however, the unexpected appearance of a possible daughter, of whom he was unaware, causes upheaval in his life and takes his familial conflicts to a whole new level.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

After having her life course changed by a fake image and losing her childhood sweetheart to greed and power, Brisa, a strong woman, will struggle to rebuild her journey, raise her son, rediscover true love, and discover the truth about her origin.

An inheritance of millions brings the fun-loving Charlô (Irene Raveche) and her bad-tempered cousin Otávio (Tony Ramos) closer than they ever expected. The inheritance, which includes a mansion and a chain of clothing stores, stipulates that the assets remain in the family. And since no one is willing to give up their part they decide to share the mansion and the business, despite the mortal hatred they harbor for each other. Charlô’s adopted son Felipe (Edson Celulari) also becomes caught up in the situation. However, he turns against his mother and becomes Otávio’s right-hand man at the company.

Through the stories of Madá, Jão and Osmar, the work talks about achievements and the price we are willing to pay for them.

The soap opera portrayed the daily lives of three generations to show that there is no ideal time to love and be happy. The relationship between widower Álvaro and lawyer Bruna is shaken by the arrival of sweet Madalena in the fictional town of Nova Esperança. The young woman is hired as a housekeeper for businessman Xistus, Álvaro's father-in-law, and charms everyone.

A teenager who dreams with a career as a top model becomes part of a prostitution scheme and meets a powerful and obsessive businessman. As a last resort, he marries the girl's mother just to be near her. This series explores the limits of obsession, wealth and pleasure, using the fashion world as backdrop.

Two neighboring couples are shocked after their teenage children's fight, with absurd consequences. What could be a common misunderstanding grows and reveals the limits and influence of parents in raising children.

Reserved, intelligent and generous, Leo has achieved professional success and now lives secluded in Serra da Cantareira, alongside young Karina. He discovers that he is ill, and decides to reunite the old friends of the 1970s, with whom he fought the military regime.

Fifteen year ago, Carlos went to the cinema to meet Júlia, his university colleague with whom he was in love. She never showed up. Carlos was left waiting in the lobby alone. While he waits, something happens which will change his life. A scene, an encounter, an unfinished sentence... Something insignificant, but which will determine the character's life. Fifteen years later, we follow three completely different versions of Carlos's life. In one, he is a man divided between the stability of a secure life in a lukewarm marriage, and the growing desire to live a great love affair. In the second, he is homosexual and places passion above all else. In the third possible life, Carlos is a man who hasn't yet discovered love, and lives through successive disastrous relationships in search of the perfect woman. One of them is his real life. Another is not his life. And a third is the life he'd like to lead. Which is his true life ?

Rachel is a girl, adopted by an upper middle class family, who rebelled at 17 and left her family and studies at a traditional college in Sao Paulo to become a sexy call girl. Shortly after starting work, she decided to write a blog about her experiences. Since some clients thought she looked like a surfer she adopted the name "Surfistinha" which means little surfer girl.

Rubem, a rideshare driver with no prospects, receives as inheritance the Pérola Motel, which he soon discovers is a dilapidated building. There, he meets Grace, a former employee who had stayed on living in one of the suites after the motel closed. Unable to sell the property and mired in debt, Grace and Rubem join forces to reopen the motel. Almost as a lark and with the help of Nalva, an internet whiz, they begin recording their guests and, to make some extra cash, selling the videos with identities masked to erotic websites. The scheme quickly becomes both lucrative and dangerous.

In the darkness of a rural night, a gypsy clan gathers to mourn their beloved patriarch's in a ritual celebrated through music and dance.

Based on the true-life events of six-time FIFA World Player of the Year, Marta Vieira da Silva, widely regarded as the greatest female football player of all time.

Three stories of infidelity unfold: a man falls for a married woman, a young girl draws the gaze of her sister’s fiancé, and a husband takes his unfaithful wife hostage after discovering her affair with his best friend.

Film version of the 2017 miniseries. After discovering the elixir of youth a scientist reunites with her high school sweetheart, bringing back many dilemmas from the past. She tests the formula on herself and each dose makes her 30 years younger. She then starts switching between her current persona and the younger one, becoming her own rival. Meanwhile, her former boyfriend falls in love with both versions of the scientist, unaware this love triangle includes both identities of the same woman.

Elected major of the small city of Sucupira, after unfortunate situation, Odorico must open the city cemitery and face acusations of being corrupt, to end his term on good terms with the people.

Felício, an old comedian, is in decadence after his partner Mandarim's suicide. When he finds out his former love Paloma has died, he leaves São Paulo and heads for the faraway State of Piauí, North of Brazil, in search of a new partner. He believes that if he manages to find him, the good times will return.

After a chance encounter on the elevator, the lives of Mary Ann, a widowed English teacher, and Pedro, a recently divorced man, intersect against the hot backdrop of Rio de Janeiro.

During the military dictatorship in Brazil, Lorena, Lia and Ana Clara, three university students of different social backgrounds and origins meet at a nun's pension in São Paulo. Besides their differences, they become close friends, sharing their dramas and dreams, helping each other until the day they have to separate permanently.

A police officer tries to find out who is to blame for a crime committed against a candidate for mayor of a small town. He hears versions of a hired killer, the victim's fiancée, and the candidate himself.

After thirteen years of engagement, the boring sex life of Rui and Vani is limited to one intercourse every other week. They decide to seek excitement with a threesome and they decide to invite Vani's cousin Silvinha to participate late night, but an accident interrupts their game. Rui and Vani unsuccessfully spend the night searching for for companion of a bisexual woman.

Soon after learning of the death of his mother Pérola, Mauro returns to his old family home in Bauru (São Paulo, Brazil). A look back into his mother’s peculiar habits, her illusions, sense of humor, spirituality, and desire to control all things... with the love and tenderness that only distance and time allow. A reunion between mother and son: their conflicts, conversations, and dreams of a better life all converge in constructing a swimming pool in their backyard. It is a portrait of an ordinary family that fights, makes up, celebrates, cries, and carries on, full of stories just like any other.

An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer, and the occasion is the wedding anniversary of the magazine publisher and his wife, a famous theater actress. The publisher has written an open letter to the president of the country, with serious denunciations, which will run in the upcoming issue. He risks being arrested this very evening. As tensions increase with the imminence of prison, secrets come to light revealing the conflict between the ethics sought in public life and the ethics practiced in private life.

40 years after fighting for what he thought was new and revolutionary, a former anonymous militant against the now fallen Brazilian dictatorship is accused of being conservative, antiquated and anachronistic by his own son.

The movie depicts the political crisis that led to the suicide of president Getúlio Vargas, in the 19 days that preceded August 24, 1954. The crisis began with the attempted assassination of journalist and politician Carlos Lacerda in August 5, 1954, at rua Toneleros, Rio de Janeiro, in which Major Vaz was assassinated instead. Investigations pointed to Gregório Fortunato, chief of Vargas' personal guard, as the orderer of the frustrated assassination. This incident was one of the most importants in the history of Brazil.

In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,