Sara Cózar

Lucía is an eight-year-old girl, who sometimes struggles as the world tries to catch up with the fact that she is trans. As the summer holidays pass, she explores her femininity alongside the women of her family who at the same time reflect on their own femininity.

Vitoria-Gasteiz, Basque Country, Spain, 2019. Two corpses appear in the crypt of the Old Cathedral. Police officer Unai López de Ayala, an expert in criminal profiling, must hunt down the ritual murderer who has been terrorizing the city for two decades.

Mugaldekoak is set in the early 40s, when, on this side of the border, the wounds of the Civil War were still open and, on the other, they were living under occupation by the German Army. The tale revolves around the Comète Network, an initiative developed during World War II on the border with Navarre: the clandestine evacuation of British pilots brought down in enemy territory.

A film about the life and work of the bertsolari Pedro Mari Otaño. A journey through the exile and the rebirth of an oppressed people.

A group of childhood friends has gone to a country house to celebrate the bachelor party of one of them. But the years do not pass in vain, and, although they feel a very strong bond between them, nothing is what it used to be; or yes...

After breaking up with his partner, 76 year-old Vicente leads life the way he likes it in Maspalomas: he spends his days lying in the sun, partying, and looking for pleasure. An unexpected accident obliges him to return to San Sebastián and to the daughter he abandoned years ago. Vicente will have to live in a retirement home where he finds himself driven back into the closet and to conceal a part of himself that he thought was long resolved. In this new environment, Vicente must ask himself if he has enough time left to make his peace with others… and with himself.

When you own a non-denominational funeral parlour. When you’ve lost your driver’s license for drinking too much. When you fall in love with an office trainee 25 years your junior. When your daughter begins to understand that you’re not the father she thought you were. When the retired boxer who lent you money is on your back. When death seems more interesting than life... What could go wrong?

Guillermo (Raúl Mérida) is a passionate young college surf casually discovering an old photographic film. In the photographs are enigmatic images and a familiar face, leading Guillermo to embark on a perilous investigation with the help of Daniela, a student from Fine Arts, and his brother, a computer expert. None of them is aware that such research can change their lives forever.

Victoria is a republican widow who enters in the prison of Saturrarán (Vizcaya), place where an experiment of the Franco regime takes part: the separation of children from their mothers to give them up for adoption to families close to the regime, in order to break the chains of communism.

An economist Basque (Gorka Ochoa) based in Barcelona becomes embroiled in a difficult emotional dilemma between his girlfriend (Bárbara Goenaga), who is pregnant, and a childhood friend (Sara Cozar), heart condition, which is declared by compassion convinced that he would die. The problem arises when the patient makes a miraculous recovery and he is forced to pretend he loves her.

Juan Martin, a young boy from San Sebastian, decides to spend the summer in a remote hillside farmhouse to improve his Basque. But there he discovers that the language they use has little in common with his classroom learnings.

Inspector Nerea Garcia is sent to a small fishing village to investigate the disappearance of a skipper. She will soon realize that it is not a routine case and that nothing is what it seems. The past is always unpredictable.

Nerea Garcia is having a rough time of it; it’s four years since she was thrown out of the Basque Ertzaintza police force and she now leads a solitary life in her Bilbao home. The appearance of a woman’s corpse, murdered in some kind of ritual, prompts her former boss to ask her for help with the investigation. What Nerea hadn’t realised is that ghosts from the past and present would lead her down into the bowels of the city, where nothing and nobody is what it seems.