Jane Campion

Lucy, a former child actor, seeks enlightenment at a retreat led by spiritual leader Elon while she navigates her close yet turbulent relationship with her stunt-performer daughter, Dylan.

At the 60th anniversary of Cannes Film Festival, 34 famous directors are followed by camera.

From Martin Scorsese to Jane Campion, from Emir Kusturica to Quentin Tarantino, some of the greatest recipients of this trophy recall special moments relating to the award ceremony which closes the Cannes Film Festival. This film brings to light moving and personal stories, as surprising as they are varied, which all contribute to further enhancing the legend of the Palme d’Or.

Get a rare glimpse into the creative process of Academy Award-winning filmmaker Jane Campion as she shares her memories of making "The Power of the Dog."

Actors Anne Dorval, Suzanne Clément, Monia Chokri, Gaspard Ulliel, Vincent Cassel, Niels Schneider and Melvil Poupaud discuss working with the young Canadian director Xavier Dolan, who has conquered the hearts of both cinema lovers and prestigious festival juries with his films. To French actress Nathalie Baye, he seems very experienced despite his young age, while Cannes Director Thierry Frémaux says he may be insolent, but everyone agrees he is passionate, creative, a perfectionist and... in a hurry.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

The creative process at the heart of creating TV series Top of the Lake (2013). From the writing process with long-time collaborator Gerard Lee to shooting in New Zealand, filmmaker Jane Campion struggles and rises to the occasion.

Director Julie Bertuccelli paints Jane Campion’s portrait with great precision, humor and admiration, telling the tale of the first-ever woman to win the Palme d’Or in 1993.

Interviews with women directors working in Hollywood and Europe in the early 1990s, exploring the opportunities and obstacles that face them. A program made to accompany a Channel 4 season of films directed and produced by women.

An annual American awards ceremony honoring cinematic achievements in the film industry. The various category winners are awarded a copy of a statuette, officially the Academy Award of Merit, that is better known by its nickname Oscar.

In 1973 the American Film Institute initiated its Life Achievement Award, to be presented to a yearly recipient whose talent has fundamentally advanced the film art; whose accomplishments have been acknowledged by scholars, critics, professional peers and the general public; and whose work has stood the test of time.

A worldwide guided tour of the greatest movies ever made and the story of international cinema through the history of cinematic innovation.