Jan Antonín Duchoslav

The film follows Marie, Jirka and their wealthy parents, as well as murderer Jiří Tichý. The film takes place mostly in southern Moravia.

A comedy about funny adventures of boys and girls during the summer vacation.

NON PLUS ULTRAS is a comedy with a social subtext. It takes a satirical look at a short stretch in the life of five "fans" of one Prague football club who belong to the hardcore supporters - ultras or hooligans. The gang members' lives revolve around football. They revere their "world-famous" English counterparts and uncritically take them as their role models. The undeclared leader of the gang is Bejcak (played by David Novotny), a charismatic young man of around 30 years old with natural authority. He is not stupid; he likes to use foreign words, but always in a slightly unsuitable context. The oldest member of the gang is the lonely forty-year-old Tycka (Vladimir Dlouhy), whom Bejcak took under the gang's wing. Tycka is much older than the others. The stuttering youth Pejsek (Karel Zima) is a fanatic lover of all things "English". He is seconded by the none-too-bright Potapec (Michal Novotny) and the agile, wiry Vocko (Matej Hadek), who is constantly devising new loutish exploits.

Nineteen-year-old Pavel Kříž spends all his free time in Prague's arcades, bistros and discos with a group of thieves called Roby. Pavel has a high school diploma, but works as a window cleaner, and a large part of his income comes from the scams, scams and thefts of Roby's crew, to whom he supplies guaranteed tips. So he's not too happy when the cleaning manager assigns him a young temp, Jana Hálková. Although the girl makes no secret of her distaste for Pavel's way of life, a fragile emotional bond develops between them. But this cannot last in the environment in which Pavel moves. The young man gets into more and more trouble - part of Roby's party is caught by the police and he cannot find the money to pay back the debt. The situation escalates when a group of thieves kidnap Jana...

A quarter century after the release of the original film, this sequel brings us a drama about platonic love, life retrospective and memories. Former schoolmates meet again in the mountains and it turns out they have not changed much. Even though so many years have passed, we can still see the souls of boys and girls we know from the teenage comedy Snowdrops and Aces; kids who participated in that legendary skiing course. Its nostalgic humour gives the film a bitter-sweet touch. Thawing Out follows the lives of the main heroes during a period of great changes. How did they manage to escape the traps and what scars have they suffered? Where did they want to go, how far have they got and what is still in front of them?

Twenty-five years after their youthful ski-camp friendships, a tight-knit group of former classmates reunites at the same mountain lodge to see if a long-held platonic crush can finally turn real, and to reckon with all they never said or did.

As a mayor dreams of spreading holiday cheer with a new ski jump, the town's citizens experience wacky antics while searching for love in wild places.

The movie is based on the narrative of a Czech multimillionaire who achieved success not by stripping companies, making crooked deals and crony-ism, but by blazing his own trail like Schweikesque self-made man. He realizes early on that he has nobody but himself to rely on. During the totalitarian regime of the 80s, he ambles along his oddball path and then experiences the Velvet Revolution atypically, too - in an asylum amidst nut-cases. After the Revolution, he really gets rolling. To Germany and back. To prison and back. To China and back. The intriguing and endless opportunities afforded by the Internet eventually blossom into virtual prosperity. The hero has everything and is even planning a highly unorthodox family. A happy ending is nigh, until everything goes up in smoke, of course...

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

A dramatic patrol car weekend on the streets of Prague's city centre. Lieutenant Josef Kabát and his colleagues drive through the centre of Prague every day in a patrol car. He loves his neighbourhood more than anything and wouldn't trade it for a more comfortable life in the office or at the control room. After a citizen calls the 158 emergency line, Kabát goes to various cases, be it accidents, thefts, disturbances or assaults. In one burglarized apartment, he finds the perpetrators' broken dioptric glasses and a torn piece of leather jacket. These are exactly the kind of things worn by his 18-year-old son Pavel, who coincidentally disappeared at the same time, allegedly with friends on a cottage holiday. However, Kabát has no time to deal with his family problems: there are too many thieves and shady characters roaming the streets of Prague. The worst of them are a couple of young men who have just raped and murdered an innocent girl...

A comedy about Simon, an honest, clever confectioner. In practical life, the humble bachelor becomes an easy prey to his boss, his mother, and hordes of women eager to get married. The story incorporates well-tested methods of nearly all major periods in the history of film comedy: from a lumierish etude with the garden hose to a melancholic tramp to the menace of the streets Jacques Tati. Director Juraj Herz made a major contribution to the modest tradition of Slovak film comedy.

The second part begins shortly after the death of Michal Dostál, the biggest bastard of them all. Michal's father and grandfather are convinced that teacher Majer was behind the murders of all three students and was avenging his sister's death. They begin to psychologically torment Majer and search for evidence. The new police investigator Karas, who takes over the case from the deceased police investigator Paleček, is also looking for evidence. Karas immediately suspects something is amiss in the deaths of the "bastards" and also begins to focus on Majer, who is now the school principal.