Mary Vivian Pearce

Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".

'Pleasantly plump' teenager Tracy Turnblad achieves her dream of becoming a regular on the Corny Collins Dance Show. Now a teen hero, she starts using her fame to speak out for the causes she believes in, most of all integration. In doing so, she earns the wrath of the show's former star, Amber Von Tussle, as well as Amber's manipulative, pro-segregation parents. The rivalry comes to a head as Amber and Tracy vie for the title of Miss Auto Show 1963.

A prim and proper schoolgirl goes against her society grandmother's wishes when she dates a motorcycle-riding juvenile delinquent.

Sylvia Stickles runs a convenience store with her husband and mother-in-law. One day, Sylvia is hit on the head and transforms from an uptight prude to a sex-crazed lunatic. As she goes on a rampage through town, Sylvia attracts the attention of Ray Ray, a sexual healer and tow truck driver in search of the world's greatest orgasm. Their sexual revolution, however, causes a class war in their tiny Baltimore community.

Beverly is the perfect happy homemaker, along with her doting husband and two children, but this nuclear family just might explode when her fascination with serial killers collides with her ever-so-proper code of ethics.

The Cavalcade of Perversion, a traveling freak show, acts as a front for Divine, who is out for blood after discovering her lover's affair.

A young lunatic director and his devoted cult of cinema terrorists kidnap a Hollywood movie goddess and force her to star in their radical underground movie.

After killing her husband, Peggy Gravel and her murderous maid Grizelda wind up in the crazy town of Mortville, where Queen Carlotta presides over a sleazy collection of misfits.

Blessed with a keen sense of smell and cursed with a philandering pornographer husband, a parasitic mother, and a pair of delinquent children, the long-suffering Francine Fishpaw turns to the bottle as her life falls apart -- until deliverance appears in the form of a hunk named Todd Tomorrow. Originally screened with "Odorama" scratch and sniff cards so the audience could (at their own risk) smell along with the film.

A Baltimore teenager who picks up a second-hand camera starts snapping his way to stardom, soon turning into a nationwide sensation, with a fateful choice between his life and his art.

Teenage delinquent Dawn Davenport, incensed after her parents do not give her the cha-cha heels she wanted for Christmas, runs away from home. After an illegitimate child and hairstylist husband bring her more misery, she's enticed into a life of crime when the owners of her husband's salon promise her fame and fortune.

Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.

The life and times of Baltimore film maker and midnight movie pioneer, John Waters.

A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of the Virgin Mary, strange chicken-foot grafting operations).

Shot on 8mm, and featuring the introduction of Divine, John Waters' sophomore film is a plotless collage of random incidents involving sex, drugs, religion and The Wizard of Oz, it was shown with an equally random soundtrack mixing “obnoxious radio advertisements, rock 'n' roll and press conferences with Lee Harvey Oswald's mother”. It was shown three times publicly, but never released commercially.

A documentary about actress Edith Massey in which she talks about her life and her career in film.

An American short documentary video about the opening of Edith Massey's thrift store in Baltimore.

Interview outtakes from Jeffrey Schwarz's 2013 documentary 'I Am Divine' which feature director John Waters; actors Susan Lowe, Mink Stole, George Figgs, and Mary Vivian Pearce; film critic Dennis Dermody; production designer Vincent Peranio; and production manager Pat Moran. Produced for The Criterion Collection.

John Waters' first sixteen-millimetre film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends. It was never shown commercially.

This improvised film is based on the true-life suicide of TV personality Art Linkletter's daughter, Diane. Mr. and Mrs. Linkletter fret about their daughter's recent behaviour, which includes taking drugs and dating a lowlife named Jim. Eventually, the parents confront Diane… with tragic consequences.

The lurid wedding of a black man and white girl, with a Ku Klux Klansman performing the wedding ceremony. John Waters' first film, made on 8mm, given one showing (making back its budget of thirty dollars) before being retired to his closet.

A series of documentaries focusing on the world of psychotronic movies; focusing on the lives of filmakers such as Hershell Gordon Lewis, Saim Raimi, Doris Wishman, Ed Wood Jr, and Tsui Hark. Covers weird movie genres, like Mexican wrestling movies and Hong Kong horror films.