Eva Kotamanidou

An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

Two Greek children embark on a journey to search for their father, who supposedly lives in Germany.

A traveling theatre troupe tours the Greek countryside from 1939 to the early 1950s, staging “Golfo the Shepherdess”. As the years pass, its members endure persecution, betrayal, executions, and exile. Their personal stories become entangled with the country’s major historical events, in a seemingly endless cycle of violence and loss.

The story follows a family of refugees from the early twentieth century through to the Civil War. Through movements, separations, and reunions, personal lives intersect with Greece’s major historical transformations. Space and time are in constant flux, while the characters remain trapped in an unending search for a homeland.

Alexander, a tribal warlord and former political prisoner, kidnaps British tourists, holding them for ransom until Britain and the Greek puppet government in Athens meet his demand for amnesty for his band of freedom fighters.

During a hunting party on New Year's Eve 1976, five representatives of the bourgeoisie encounter with their companion the body of a partisan from the Civil War of the late forties. What they are most confused about is the fact that the corpse that lies at their feet is still bleeding…

In a poor neighborhood of Athens, Andreas and Eftyhis are struggling to eke out a living. Making the most of the adventurism inspired in them by the post-war era and trying to make a life for themselves against the backdrop of the post-dictatorship conservative regime, the two heroes gradually lose their political conciousness and social identity and are led to ruin.

Orestes is a journalist who used to be part of a radical left-wing group. When two of the people who sent members of this organization to prison are murdered, the police accuse him of being responsible. He, being in a difficult and troubled psychological and ideological state, will accept the role of scapegoat.

Donusa is a small island in the Aegean, visited by the mainline ship once a week. One winter day a young German photographer, Stefan, arrives and soon feels strangely attracted to a local girl called Eleni. The stranger’s presence works as a catalyst shedding light on Donusa’s conventions.

It is an eventful evening in Anna's luxurious villa, attended by a group of nouveau riche from the northern suburbs of Athens during the years of the dictatorship. The guests are Thanos and his wife Alex, Emmy, George, and Dolly's pregnant friend, while later on, Alexander, Alex's brother, arrives, bringing a pornographic film with him. As the social gathering reaches its peak, the titillating viewing of the porn is interrupted by a crisis involving Dolly, which requires the urgent call of their old friend, Dr. Matzavelakis.

In an inn in Trieste, Kyveli, wife of a political prisoner of the junta, falls in love with an old student of her husband, who has been distinguished for his activities against the dictatorship. But he will be forced to run away, along with his lover, as they are hunted by the police. Kyveli will go to Strasbourg to present evidence to the Council of Europe, which proves human rights violations in Greece, but the session is postponed and she now lives in a web of fantasies and unfulfilled expectations.

Michel Demopoulos directed only one film in his life: a documentary about the shooting of Theo Angelopoulos’ O Thiasos / The Travelling Players (1975).

Greek television series