D.W. Griffith

Based on the first centenary of the largest exporter of films in the world, that is Hollywood, is the story told by its protagonists, actors and writers and other people who made life in this business, interspersing images of famous movies.

A beautiful singer and a battling priest try to reform a Barbary Coast saloon owner in the days before the great earthquake and subsequent fires in 1906.

The whole world knows him. Burlesque comedy genius, popular actor, author, director, producer, composer, choreographer, Charlie Chaplin (1889-1977) used his talent to serve an ideal of justice and freedom. But his best scenario was his own destiny, a story written into the political and artistic history of the 20th century.

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

A look at the parallel lives of Charlie Chaplin and Adolf Hitler and how they crossed with the creation of the film “The Great Dictator,” released in 1940.

During the American Revolution, a young soldier carrying a crucial message to General Washington is spotted and pursued by a group of enemy soldiers. He takes refuge with a civilian family, but is soon detected. The family and their neighbors must then make plans to see that the important message gets through after all.

The careers of D.W. Griffith, Mary Pickford, Douglas Fairbanks, and Charlie Chaplin are chronicled culminating in the formation of United Artists and 1919.

This documentary traces the life and work of the legendary "America's Sweetheart" Mary Pickford, silent film star, movie pioneer and keen businesswoman. Pickford's life also parallels an even larger story, telling of the birth of the cinema itself.

A documentary of Hollywood's first great Latin Lover, the contradictions in his personal life, and his premature death.

Sisters guarding their house from a burglar set upon stealing their daddy's money.

Seamen Enoch Arden returns home after a long absence marooned on a desert island. At home he finds his wife married to another, and though he loves her, he cannot bear to disrupt her current happiness.

Calumny is one of the most despicable crimes against our neighbor, and while the wife in this story acted conventionally, she nevertheless maligned the other woman simply because of her profession, an actress. While out on a shopping tour, the wife and her husband enter a store, leaving their little child in the auto in the care of the chauffeur. This gentleman pays but scant attention to the child, so the little one wanders off and strolls into the stage door of a theater during the matinee. The parents upon their return to the auto discover the child's absence and trace him to the theater stage, where they find him in the arms of one of the show girls. The mother matches the child from the girl's arms, scornfully exclaiming, "How dare you contaminate my child with your touch?" For this remark, together with the derisive laughter it occasions, the girl vows to be avenged.

Intimate views of the movie stars of the Silent Era, at work and play; featuring Sessue Hayakawa, Lillian Gish and others.

A short documentary about the making of D. W. Griffith's controversial 'The Birth of a Nation'.

Little Billy, the bootblack, finding luck against him, decides to move to some other town. To do this he must walk, as he hasn’t the wherewithal for a railroad ticket. While trudging through the country, he falls into the hands of a couple of sinister-looking tramps, and they at once, by threats, force him to beg for them. A day or so later, the tramps hold up an old man, and while procuring his money throw him down with such force as to unintentionally kill him. Panic-stricken at their awful deed, they feel that the boy’s knowledge of the affair will prove disastrous for them, and so they decide to get rid of him. Through the sagacity of a dog the boy is saved and the tramps are captured.

At a political club, the members debate whose bust will replace that of Theodore Roosevelt. Unable to agree, each goes to a sculptor's studio and bribes him to sculpt a bust of the individual favorite. Instead, the sculptor spends their fees on a dinner with his model during which he becomes so inebriated that he is taken to jail. There he has a nightmare, wherein three busts are created and animated from clay (through stop-motion photography) in the likenesses of Democrat William Jennings Bryan and Republicans Charles W. Fairbanks and William Howard Taft. Finally an animated bust of Roosevelt appears.

Believed to be the first film to feature cannibals.

Mary Pickford's name remains inseparable from the legend of American cinema. She invented the star system at the beginning of the 20th century, and was the biggest star ever known, not just in Hollywood, but worldwide, at a time when actors didn't even have their names on movie posters. She was more than a pioneer, she was a jack-of-all-trades: world-famous star, producer and formidable businesswoman, screenwriter and director in the shadows, studio boss, Mary Pickford alone embodied the entire legend of cinema and the advent of women in that particular era.

The prelude to our picture is the record of an intimate conversation between Mr. D. W. Griffith and his friend Mr. Walter Huston, which occured on an evening in the Spring of 1930. Here for the first time, Mr. Griffith relates the colorful childhood experiences which led him to the making of "The Birth of a Nation."

Two noblemen fight over a lady.

At the Italian boarding house the male boarders were all smitten with the charms of Minnie, the landlady's pretty daughter, but she was of a poetic turn of mind and her soul soared above plebeianism and her aspirations were romantic. Most persistent among her suitors was Grigo, a coarse Sicilian, whose advances were odiously repulsive. The arrival at the boarding house from the old country of Giuseppe Cassella, the violinist, filled the void in her yearning heart. Romantic, poetic and a talented musician, Giuseppe was indeed a desirable husband for Minnie.

With the family of Mr. Phlipp there is employed that wrecker of domestic serenity, a pretty French maid, whose trim figure and cherry lips are simply irresistible. This is all very fine for Phlipp, who is wont to bask in the radiance of her smiles and to sip the honey from her rose-leaved lips. But, alas! his bliss is short-lived, for, the perspicacious Mrs. Phlipp grows suspicious and surprises the erring couple in an osculatory diversion. The meretricious maiden is put to right, and the sinful Phlipp is assailed with most vociferous vituperative verbosity.

A haughty politician, on seeing a satirical cartoon in a newspaper, rushes to the paper's offices to shoot the cartoonist. On discovering the cartoonist is a pretty woman, he falls instantly in love and wastes no time in trying to woo her.

TV's most-watched history series brings to life the compelling stories from our past that inform our understanding of the world today.

The epic story of the actors, writers, directors, and producers who fought for their place on the page, behind the camera and on the screen. From blackface to Black Panther, this series is a definitive chronicle of more than a century of the black experience in Hollywood and a powerful reexamination of a quintessentially American story – in brilliant color.