Newton Blick

After being discredited as a coward, a 19th century seaman lives for only one purpose: to redeem himself. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 2000.

Scotland Yard detectives attempt to solve a spate of safe robberies across England beginning with clues found at the latest burglary in London. The film is notable for using a police procedural style made popular by Ealing in their 1950 film The Blue Lamp. It is known in the US as The Third Key.

Morgan, an aggressive and self-admitted dreamer, a fantasist who uses his flights of fancy as refuge from external reality, where his unconventional behavior lands him in a divorce from his wife, Leonie, trouble with the police and, ultimately, incarceration in a lunatic asylum.

A seasick sea captain commands an amusement pier despite local opposition. Released in the U.S. as 'All at Sea'

A lusty Gypsy gold digger marries a Regency aristocrat, then learns he has no money.

A schoolteacher plagued by alcoholism and his refusal to serve in World War II, Graham Weir inspires contempt in almost everyone around him, including his bitter wife, Anna. When the lovely young Shirley Taylor, one of Weir's students, falls for her unfortunate instructor, he is tempted and flattered but turns down her advances. Taylor's subsequent actions make Weir's life even more complicated.

The film is based on the actual events of the Portland Spy Ring trial in the U.K. A disgruntled Navy Clerk is transferred to a secret research establishment and is subsequently black-mailed/paid by Czech intelligence to procure secrets for them. He seduces the secretary who controls the most secret documents, and they enjoy the fruits of their treachery until the British authorities begin to close in on them.

Domestic difficulties develop in a working-class family when their daughter falls in love with a Jamaican man.

When an attractive young girl is murdered, suspicion falls on several members of the local tennis club. It falls to Police Inspector Halloran to sort out all the red herrings, and finally after a confrontation at the top of the local church spire, arrest the culprit. Another fascinating look at what life was like in Britain during the 50's.

The Agitator is a 1945 British drama film directed by John Harlow and starring William Hartnell, Mary Morris and John Laurie. Its plot follows a young mechanic who unexpectedly inherits the large firm where he works and tries to run it according to his socialist political beliefs. It was based on the 1925 novel Peter Pettinger by William Riley.

German scholar Wolf Hauser arrives for a year at Cambridge. Apart from his studies, he tries to muck in with the very English non-academic goings-on while romancing pretty Girton girl Ann Wainwright.

Major Charles Carrington (David Niven) is arrested for taking £125 from the base safe. He also faces two other charges that could finish his distinguished service career. He decides to act in his own defence at his court martial hearing, his argument being that he is owed a lot of money from the army for his various postings that have cost him out of his own pocket. To further complicate the proceedings, Carrington alleges he told his superior, the very disliked Colonel Henniker, that he was taking the money from the safe. A man's career, his marriage, and quite a few reputations all hang in the balance.

A diva of the Paris stage transforms her mousy daughter-in-law into an attractive ingenue to spite her hated son, away on military service.

Following a group of five very different student nurses during their first year of training at an NHS hospital in London called St. Augustine’s Hospital (filmed at Guy's Hospital), where they live in a dormitory. Susan (Belinda Lee) is reliable and sensible; Pat (Delphi Lawrence) is flighty and open; Maureen (Adrienne Corri) is Irish and loud; Ann (Henryetta Edwards) is a typical public school girl; and Liz (Barbara Archer) comes from a typical working class background. As they get to know each other, they bond in spite of their differences.

A new career opens for Charley Moon when, during his army service, he is detailed to appear in a unit concert. In doing so, he becomes friendly with Harold Armytage, a peacetime actor of the old school. Hearing that Charley has no job to go to when demobilized, Armytage suggests they team up as stage comics. Things are not easy; jobs are few and far between, and when they can be found they are in the tattiest of theatres, but Charley gains the experience he needs. They then decide to try their luck in London.

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

Sunday Night Theatre was a long-running series of televised live television plays screened by BBC Television from early 1950 until 1959. The productions for the first five years or so of the run were re-staged live the following Thursday, partly because of technical limitations in this era, and the theatrical basis of early television drama. Some of the earliest collaborations between Rudolph Cartier and Nigel Neale were produced for this series, including Arrow to the Heart and Nineteen Eighty-Four. The Sunday night drama slot was subsequently renamed The Sunday-Night Play which ran for four seasons between 1960 and 1963. ITV transmitted its own unrelated run of Sunday Night Theatre between 1971 and 1974.

An anthology of single plays offering up adaptations of either of prominent stage plays or novels.

'The Larkins' is a British television sitcom which was produced by Associated Television and aired on ITV. It aired for four series between 1958 to 1960. An additional two series aired from 1963 to 1964.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

Anthony Newley stars as an actor who walks off the set of a banal sit-com and into a fantasy world of his own imagination in this surreal odyssey through one man's personal alternative reality.