Marianne Aminoff

Fanny e Alexandre são irmãos e vivem na exuberante e colorida Ekdahl, na Suécia. Seus pais, Oscar e Emilie, são o diretor e a atriz principal da companhia de teatro local. Após a morte prematura de Oscar, Emilie casa com o bispo e se muda com as crianças para a austera casa do religioso, onde elas passam a ter uma vida bem diferente da que levavam até então.

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 theatrical feature film (approximately 135 minutes), created by condensing and re-editing the four-part Swedish television miniseries originally produced the same year.)

Num presbitério de província, Eva escreve uma carta à sua mãe, Charlotte, uma pianista profissional que não vê há sete anos. A mãe chega e, após os primeiros momentos de afetividade, o encontro das duas mulheres muda de tom. Eva e Charlotte começam por discutir sobre a presença de Helene, a irmã mais nova e doente de Eva, que Charlotte não esperava encontrar em casa da filha. Depois, ao piano, mãe e filha voltam a confrontar-se sobre um prelúdio de Chopin, onde a mãe impõe a sua superioridade e virtuosismo. Eva lança-lhe várias acusações e Charlotte toma, inesperadamente, consciência da sua incapacidade afetiva em relação às filhas.

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 four-part Swedish television miniseries. A condensed theatrical feature edited from the same material was released separately in 1976.)

A young female scammer relying on her innocent blue eyes and ability to disguise herself tries to avoid the police that are getting ever closer.

A Swedish drama from 1939 about the social and political developments in Sweden from 1885 until the dissolution of the union in 1905. The year is 1885, Christina Nilsson sings "Fourteen years I believe certain that I was" in the Grand Hotel's Great Hall . She also sings from the balcony of the hotel and the panic arising among listeners outside the hotel. In Norway, talks about the dissolution of the Union and the Swedish socialists with Hjalmar Branting (Victor Sjöström) is in the lead for independence.

An officers kadett is dismissed because of his strange behavior. At work he is considered deranged. At home he is dominated by his mother and fiancee. He manages to get a temporary job as a biology teacher, leave home and rent a room. He begins to flirt with a student.

This is a Swedish remake based on The Scarf, the British original from 1959 (script : Francis Durbridge). The English script was translated to Swedish by Ulla Berthel and Börje Lindell. The Swedish version retains the English setting.