Alice Patten

Assassinato, rapto, chantagem e traição são os lugares comuns na idílica vila de Midsomer em Inglaterra. Por detrás das pitorescas e belas vedações, nada é o que parece…

New Tricks is a British comedy-drama that follows the work of the fictional Unsolved Crime and Open Case Squad of the Metropolitan Police Service. Originally led by Detective Superintendent Sandra Pullman, it is made up of retired police officers who have been recruited to reinvestigate unsolved crimes.

A lenda do rei Arthur é recontada a partir da chegada de Merlin a Camelot, onde ele aperfeiçoa seus dotes mágicos com a ajuda do médico da corte.

Nas ruas de Paris do século XVII, a lei e a ordem são mais uma miragem do que uma realidade e os mosqueteiros, Athos, Aramis e Porthos, são muito mais do que meros guarda-costas do rei Luís XIII, que confia cegamente nos conselhos do Cardeal Richelieu, um homem ambicioso.

Working from his home in a converted windmill, Jonathan Creek is a magician with a natural ability for solving puzzles. He soon puts this ability to the use of solving impossible crimes and mysterious murders.

The Forsyte Saga is a British-American drama television serial based on John Galsworthy's novel series of the same name. Taking place from the 1870s to the 1920s, three generations of the upper-middle-class Forsyte family are explored.

Follows the lives of four female friends and their involvement in an array of marital and extramarital relationships.

Charles II: The Power & the Passion is a four-part television miniseries, broadcast on BBC One from 16 November to 7 December 2003. The series depicts the reign of Charles II, covering the period just before his Restoration in 1660. It focuses on his conflicts with Parliament, his relationships with his mistresses—particularly Barbara Villiers—and his efforts to restore England after the Civil War. When shown in the United States, as The Last King: The Power and the Passion of King Charles II, nearly an hour was removed for broadcast by the A&E Network. The edits often make little regard for either the full production's continuity or coherence.